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Sister to the king of France, queen of Navarre, gifted writer, religious reformer, and patron of the arts—in her many roles, Marguerite de Navarre (1492-1549) was one of the most important figures of the French Renaissance. In this, the first major biography in English, Patricia F. Cholakian and Rouben C. Cholakian draw on her writings to provide a vivid portrait of Marguerite's public and private life. Freeing her from the shadow of her brother François I, they recognize her immense influence on French politics and culture, and they challenge conventional views of her family relationships. The authors highlight Marguerite's considerable role in advancing the cause of religious reform in ...
Marguerite de Navarre (1492–1549) was the sister and wife to kings and a pivotal influence in sixteenth-century France. An astute politician and diligent humanist, she was a champion of gender equality and the evangelical reform movement, which recognized that the clergy was more concerned with maintaining the church’s power than ministering to the faithful. As the years passed and the glitter of life at court waned, however, Marguerite came to realize her true vocation: writing. Selected Writings brings together a representative sampling of Marguerite’s varied writings, most of it never before translated into English, enabling Anglophone readers to enjoy the full breadth of her work for the first time. From verse letters and fables to mythological-pastoral tales, from spiritual songs to a selection of novellas from the Heptameron, the wide range of works included here will reveal Marguerite de Navarre to be one of the most important writers—male or female—of sixteenth-century France.
A new exploration of the complexities and resolutions at play in the writings of Marguerite de Navarre, offering insights into how her work reflected the turbulence, uncertainties, and assurances of her historical period. Marguerite de Navarre was a Renaissance princess, diplomat, and mystical poet. She is arguably best known for The Heptameron, an answer to Boccaccio's Decameron, a brilliant and open-ended collection of short stories told by a group of men and women stranded in a monastery. The stories explore love, desire, male and female honour, individual salvation, and the iniquity of Franciscan monks, while the discussions between the storytellers enact and embody the tensions, ideolog...
Marguerite de Navarre (French: Marguerite d'Angoul�me, Marguerite d'Alen�on; 11 April 1492 - 21 December 1549), also known as Marguerite of Angoul�me and Margaret of Navarre, was the princess of France, Queen of Navarre, and Duchess of Alen�on and Berry. She was married to Henry II of Navarre. Her brother became King of France, as Francis I, and the two siblings were responsible for the celebrated intellectual and cultural court and salons of their day in France.Marguerite is the ancestress of the Bourbon kings of France, being the mother of Jeanne d'Albret, whose son, Henry of Navarre, succeeded as Henry IV of France, the first Bourbon king.As an author and a patron of humanists and reformers, she was an outstanding figure of the French Renaissance. Samuel Putnam called her "The First Modern Woman".
Although Marguerite de Navarre's unique position in sixteenth-century France has long been acknowledged and she is one of the most studied women of the time, until now no study has focused attention on Marguerite's political life. Barbara Stephenson here fills the gap, delineating Marguerite's formal political position and highlighting her actions as a figure with the opportunity to exercise power through both official and unofficial channels. Through Marguerite's surviving correspondence, Stephenson traces the various networks through which this French noblewoman exercised the power available to her to further the careers of political and religious clients, as well as her struggle to protect the interests of her brother the king and those of her own family and household. The analysis of Marguerite's activities sheds light on noble society as a whole.
Although Marguerite de Navarre's unique position in sixteenth-century France has long been acknowledged and she is one of the most studied women of the time, until now no study has focused attention on Marguerite's political life. Barbara Stephenson here fills the gap, delineating Marguerite's formal political position and highlighting her actions as a figure with the opportunity to exercise power through both official and unofficial channels. Through Marguerite's surviving correspondence, Stephenson traces the various networks through which this French noblewoman exercised the power available to her to further the careers of political and religious clients, as well as her struggle to protect the interests of her brother the king and those of her own family and household. The analysis of Marguerite's activities sheds light on noble society as a whole.
Most widely read today as the author of the "Heptaméron," Marguerite de Navarre (1492-1549) was known in her lifetime as a deeply religious, mystical poet. Sister of the King of France and wife of the King of Navarre, her deeds and writings expressed and sought to promote a living faith in Christ, based on the gospels, and a vision for the renewal and reform of the Church in line with the teachings of French Evangelicals such as Lefèvre d’Étaples, Guillaume Briçonnet, and Gérard Roussel. In this volume, eleven eminent scholars offer new appreciations of Marguerite’s extraordinary life and rich and diverse literary œuvre, including, in addition to her short-story collection, dialogues, mirror poems, plays, songs, and an allegorical prison narrative. Contributors include, along with the editors, Philip Ford, Isabelle Garnier, Jean-Marie Le Gall, Reinier Leushuis, Jan Miernowski, Olivier Millet, Isabelle Pantin, Jonathan A. Reid, and Cynthia Skenazi.
Marguerite de Navarre (1492–1549), the sister of the French king François I, composed the Heptaméron as a complex collection of seventy-two novellas, creating one of the first examples of realistic, psychological fiction in French literature. These novellas, framed by debates among ten storytellers, all noble lords and ladies, reveal the author’s desire to depart from the purely masculine voice of the age. Cholakian contends that this Renaissance text is characterized by feminine writing. She reads the text as the product of the author’s personal experience. Beginning her study with the rape narrative in the autobiographical novella 4, she examines how the Heptaméron interacts with male literary traditions and narrative conventions about gender relations. She analyzes such words as rape, and honor, noting how they are defined differently by men and women and how these differences in perception affect the development of both plot and character.