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Diasporic Hallyu
This open access book examines the lived experiences of diasporic Korean youth in light of the transnational flows of South Korean popular culture, known as the Korean Wave, or Hallyu. Drawing on an ethnographic study of Korean Canadian youth and their engagement with the Korean Wave, the book proposes a critical understanding of the interactions between diasporic youth audiences and popular culture. By examining the Korean Wave as diasporic cultural practices rather than the diffusion of national cultural products, the book reveals the diversified ways in which cultural flows are negotiated by audiences who take up relatively ambivalent reception positions between two or more national and cultural contexts. This book expands the scope of transnational audience studies and youth cultural studies by focusing attention on the diasporic media practices of young people.
Fine
Charting the porous borderlands of the self and the social through a year of cataclysm, Matt Rader conjures a vision of the present from a deep future. The follow-up to Ghosthawk, Fine is set largely in the Kelowna area of the Okanagan Valley, BC, over the period of June 2021–June 2022. The poems address the extraordinary natural, historical and social events of that period including the June 2021 heat dome and the November 2021 atmospheric river, the ongoing pandemic and resulting social anomie, the public announcement of hundreds of unmarked residential school graves across the country, and the Russian invasion of Ukraine. On a personal level, the poems grapple with questions of disability, illness, trans identity, healing and what a good future might look like. Written in a speculative mood, the poems in Fine look back on the contemporary moment with its terrors and mythopoetic digital scrim from an imagined future, so that the voice itself becomes an incantation, a summoning of a world of survivance and beauty.
Writing Shame
Examines the intersection of shame, gender and writing in contemporary literatureConsiders the particular intersection of shame, gender and writing in literature produced since the 1990sViews shame as a constitutive factor in the social construction and experience of femininityAnalyses a diverse range of texts from pulp to literary fiction to life writing and autofiction, with a self-reflexive focus on the formal disjunctions produced by/in the writing of shame, and on the shame attending the act of writing itselfOffers political readings of neglected genres (lesbian pulp fiction), highly topical texts (like Kraus's I Love Dick and Knausgaard's My Struggle), and established authors (such as ...
The Zero and The One
A bookish scholarship student, Owen Whiting has high hopes of Oxford, only to find himself immediately out of place. Then he meets Zachary Foedern from New York. Rich and charismatic, Zach takes Owen under his wing, introducing him to a world Owen has only ever read about.
Latina Magazine
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White Space
Much attention has been paid to race in the Canadian metropolis, but how are the workings of whiteness manifested in the rural-urban? White Space analyzes the dominance of whiteness in the Okanagan Valley of British Columbia to expose how this racial notion sustains forms of settler privilege today. Contributors to this perceptive collection critique the cultural economics of whiteness and white supremacy. The first half documents the historical construction of whiteness: how settlers and their ancestors have sought to exalt pioneers by erasing non-whites from the region’s heritage while Indigenous people resist this white-out. The second half explores the persistence of whiteness as an organizing principle in the neoliberal deindustrialized present. White Space moves beyond appraising whiteness as if it were a solid and unshakable category. Instead it offers a powerful demonstration of how the concept can be re-envisioned, resisted, and reshaped in contexts of economic change.
Haunted Spaces in Twenty-First Century British Nature Writing
This study investigates the figure of haunting in the New Nature Writing. It begins with a historical survey of nature writing and traces how it came to represent an ideal of ‘natural’ space as empty of human history and social conflict. Building on a theoretical framework which combines insights from ecocriticism and spatial theory, the author explores the spatial dimensions of haunting and ‘hauntology’ and shows how 21st-century writers draw on a Gothic repertoire of seemingly supernatural occurrences and spectral imagery to portray ‘natural’ space as disturbed, uncanny and socially contested. Iain Sinclair and Robert Macfarlane are revealed to apply psychogeography’s interes...
