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Anti-Empire explores how different writers across Lusophone spaces engage with imperial and colonial power at its various levels of domination, while imagining alternatives to dominant discourses pertaining to race, ethnicity, culture, gender, sexuality, and class. This project thus offers in-depth interrogations of racial politics, gender performance, socio-economic divisions, political structures, and the intersections of these facets of domination and hegemony.
The Roman Catholic church played a dominant role in colonial Brazil, so that women’s lives in the colony were shaped and constrained by the Church’s ideals for pure women, as well as by parallel concepts in the Iberian honor code for women. Records left by Jesuit missionaries, Roman Catholic church officials, and Portuguese Inquisitors make clear that women’s daily lives and their opportunities for marriage, education, and religious practice were sharply circumscribed throughout the colonial period. Yet these same documents also provide evocative glimpses of the religious beliefs and practices that were especially cherished or independently developed by women for their own use, constit...
This innovative study embarks, from a collaborative and interdisciplinary approach, on redefining the «supernatural» as elements that fail to be framed as «natural» by their socio-cultural environment. The «supernatural» elements depicted in this study encompass such monstrous representations as witches, vampires, angels, virgins, apparitions, and other universally recognized reflections of human existence - though not all «supernatural» representations are seen as «monstrous, » but as physical and psychological embodiments of common human experience. Contributors to this project represent a wide scope of literary genres and eras, as well as differing theoretical approaches, united by the common goal of defining the «irreality of reality.»
This book, originally published in 1987, is a socio-cultural analysis of a tropical belle epoque: Rio de Janeiro between 1898 and 1914. It relates how the city's elite evolved from the semi-rural, slave-owning patriarchy of the coffee-port seat of a monarchy into an urbane, professional, rentier upper crust dominating the centre of a 'modernising' oligarchical republic. It explores such varied topics as architecture, literature, prostitution, urban reform, the family, secondary schools, and the salon. It evokes a milieu increasingly marked by Europe, demonstrating how French and English culture permeated the lives of elite members who adapted it to their needs and perspectives as a dominant stratum of relatively recent and varied origin. This exploration of cultural 'dependency' in a unique, cosmopolitan, fin-de-siecle urban culture will also interest those concerned with the broader questions of culture and colonialism during the high tide of European imperialism.
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This engaging study tells the fascinating story of the only European empire to relocate its capital to the New World.
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