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La cristalina superficie del silencio
Este volumen es una muestra de la vitalidad cultural y poética de Zapotlán el Grande a través de la organización y premiación del certamen de los juegos florales, la jovial justa provenzal que los zapotlenses —entre ellos Juan José Arreola, de quien celebramos el centenario— comenzaron a convocar desde 1942 y que, con algunas pausas, ha continuado hasta la fecha: la flor de 2018 fue para Balam Rodrigo, uno de los poetas mexicanos de mayores merecimientos. Concebido por Ricardo Sigala, el libro está compuesto por cinco partes. En la primera se presentan los poemas ganadores en el transcurso del presente siglo; la segunda incluye a los ganadores desde 1942; en la tercera se hace un ...
Martinez Family Lineage
This is the family lineage of the Martinez Brothers, Atilano, Ramon and Miguel from the town of Ziquitaro, Michoacan Mexico. This lists seven generations. Included are family names, town map, and old family photos.
Ya nada es igual
La ni ez y la juventud en Guadalajara, las antiguas calles de las que ya nada queda, la sugerente voz de Lupita Palomera en el radio, los legendarios jugadores de futbol, los a os de formaci n en el colegio de jesuitas y un joven y t mido profesor de primaria llamado Antonio Alatorre forman parte - entre muchos otros episodios - de estas deliciosas memorias de Emmanuel Carballo. En estas p ginas reviven debates de literatura, el placer del descubrimiento de autores olvidados, los hallazgos bibliogr ficos, las vidas relegadas de autores dignos de la relectura; en fin, todo un periodo luminoso de la literatura mexicana.
José Lezama Lima's Joyful Vision
Cuba’s José Lezama Lima became the most controversial figure in the flowering of the Latin American novel with the 1966 publication of Paradiso. Hailed as a seminal writer of breathtaking originality by Julio Cortázar, Octavio Paz, and Mario Vargas Llosa, Lezama was also attacked by the Castro regime and others for his stylistic obscurity, erotic descriptions, and violation of literary norms. Indeed, his experimental fiction, written on the very boundaries of the novelistic genre, resists classification. José Lezama Lima’s Joyful Vision, a much-needed critical study of Paradiso, Oppiano Licario, and Lezama’s essays, is thus an exploration in reading, one that highlights and preserve...
Zapotlán el Grande
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Alma latina
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Patriots and Traitors in Revolutionary Cuba, 1961–1981
Authorities in postrevolutionary Cuba worked to establish a binary society in which citizens were either patriots or traitors. This all-or-nothing approach reflected in the familiar slogan “patria o muerte” (fatherland or death) has recently been challenged in protests that have adopted the theme song “patria y vida” (fatherland and life), a collaboration by exiles that, predictably, has been banned in Cuba itself. Lillian Guerra excavates the rise of a Soviet-advised Communist culture controlled by state institutions and the creation of a multidimensional system of state security whose functions embedded themselves into daily activities and individual consciousness and reinforced these binaries. But despite public performance of patriotism, the life experience of many Cubans was somewhere in between. Guerra explores these in-between spaces and looks at Cuban citizens’ complicity with authoritarianism, leaders’ exploitation of an earnest anti-imperialist nationalism, and the duality of an existence that contains elements of both support and betrayal of a nation and of an ideology.
