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People of the Iberian Borderlands
This book is devoted to the inhabitants of the Spanish–Portuguese borderlands during the early modern period. It seeks to challenge a predominant historiography focused on the study of borderlands societies, relying exclusively on the antagonistic topics of subversion and the construction of boundaries. It states that by focusing just on one concept or another there is a restrictive understanding tending to condition the agency of local communities by external narratives. Thus, if traditionally border people were reduced by some scholars to actors of a struggle against a supposedly imposed border; in a more modern perspective, their behaviors have been also framed in bottom-up processes of...
This Earth, That Sky
This is a generous, long-overdue presentation of the major Brazilian poet Manuel Bandeira (1886–1968) to the English-speaking reader. Well over a hundred poems appear here in both Portuguese and English, together with a critical overview that introduces the poet and Brazilian poetry to the nonspecialist and contributes significantly to the existing body of Bandeira scholarship. Bandeira’s poetry not only stands among the most important in twentieth-century Brazil but also embodies the experience of transition from one literary movement to another. The poems span a half century of writing, from the publication of Bandeira’s first book in 1917 to the definitive edition of his collected w...
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A Revisionary History of Portuguese Literature
First published in 1999, this volume is a collection of papers on Portuguese literature, giving a historical and more updated review. Included are twelve essays presented in chronological order, providing students with a series of assessments and developments.
Medieval Woman's Song
The number of surviving medieval secular poems attributed to named female authors is small, some of the best known being those of the trobairitz the female troubadours of southern France. However, there is a large body of poetry that constructs a particular textual femininity through the use of the female voice. Some of these poems are by men and a few by women (including the trobairitz); many are anonymous, and often the gender of the poet is unresolvable. A "woman's song" in this sense can be defined as a female-voice poem on the subject of love, typically characterized by simple language, sexual candor, and apparent artlessness. The chapters in Medieval Woman's Song bring together scholars in a range of disciplines to examine how both men and women contributed to this art form. Without eschewing consideration of authorship, the collection deliberately overturns the long-standing scholarly practice of treating as separate and distinct entities female-voice lyrics composed by men and those composed by women. What is at stake here is less the voice of women themselves than its cultural and generic construction.
Medieval Lyric
"An essential volume for medievalists and scholars of comparative literature, Medieval Lyric opens up a reconsideration of genre in medieval European lyric. Departing from a perspective that asks how medieval genres correspond with twentieth-century ideas of structure or with the evolution of poetry, this collection argues that the development of genres should be considered as a historical phenomenon, embedded in a given culture and responsive to social and literary change.".
La Corónica
"Spanish medieval language and literature newsletter." (varies).
Comunidades imaginadas: nação e nacionalismos em África
A África, sobretudo a África de língua oficial portuguesa, constituiu uma área considerada fundamental para ser analisada, segundo os objetivos do grupo de investigação “Arquivo da Memória e História do Século XX”, do Centro de Estudos Interdisciplinares do Século XX da Universidade de Coimbra (CEIS20). Este colóquio que teve como título principal “Comunidades Imaginadas” — que foi sugerido, como simples mote, pelo nome de um livro de Benedict Anderson, Imagined Communities: Reflections on the Origin and Spread of Nationalism (Londres, Verso, 1983), assim como pelo tema da X Semana Cultural da Universidade de Coimbra, “Imaginação” — e como subtítulo “Nação ...
