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"This essay attempts to deduce from Emily Brontë's poems and the half-dozen scraps of relevant evidence in prose, that story of the land of Gondal with which Emily and her sister Anne amused themselves, and by which Emily defined her own imaginative life, over something like fifteen years"--Preface.
"An essential volume for medievalists and scholars of comparative literature, Medieval Lyric opens up a reconsideration of genre in medieval European lyric. Departing from a perspective that asks how medieval genres correspond with twentieth-century ideas of structure or with the evolution of poetry, this collection argues that the development of genres should be considered as a historical phenomenon, embedded in a given culture and responsive to social and literary change.".
This collection presents fresh evidence and new perspectives on the diverse ways in which women created and interacted with cultures of song between c. 600 and c. 1500.
Scholarly editions contextualize our cultural heritage. Traditionally, methodologies from the field of scholarly editing are applied to works of literature, e.g. in order to trace their genesis or present their varied history of transmission. What do we make of the variance in other types of cultural heritage? How can we describe, record, and reproduce it systematically? From medieval to modern times, from image to audiovisual media, the book traces discourses across different disciplines in order to develop a conceptual model for scholarly editions on a broader scale. By doing so, it also delves into the theory and philosophy of the (digital) humanities as such.
Twenty years after Stephen Nichols transformed the study of medieval literature, leaders in the field pay tribute to his work and expand on it. In the early 1990s, Stephen Nichols introduced the term "new medievalism" to describe an alternative to the traditional philological approach to the study of the romantic texts in the medieval period. While the old approach focused on formal aspects of language, this new approach was historicist and moved beyond a narrow focus on language to examine the broader social and cultural contexts in which literary works were composed and disseminated. Within the field, this transformation of medieval studies was as important as the genetic revolution to the...
During the twelfth and thirteenth centuries, southern France witnessed first a burgeoning, then a decline in the poetry of women troubadours—trobairitz. These women stood both within and outside the troubadour tradition, so their work is interesting for social and literary-historical reasons as well as for its aesthetic merit. Many of their twenty-eight surviving poems are love songs in which the trobairitz expresses her desire with a freshness that places her in startling contrast with the speechless, unresponsive lady depicted in the poetry of male troubadours. The Voice of the Trobairitz includes eleven original studies by leading scholars in America and Europe. Approaching the trobairi...
Two Medieval Toll Registers from Tarascon presents an edition, translation, and discussion of two vernacular toll registers from fourteenth and fifteenth-century Provence. These two registers are a valuable new source for the economic, linguistic, and transportation history of medieval France, offering a window onto the commercial life of Tarascon, a fortified town on the east bank of the Rhône between Avignon and Arles. William D. Paden discusses the developing fiscal policy of the counts of Provence, for whom the tolls were collected, and the practice and vocabulary of medieval toll-keeping. An afterword considers the toll registers in relation to the poetry of troubadours, arguing that the realism of the registers and the idealism of troubadour poetry overlapped in the world of medieval Tarascon.