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An in-depth look at Maya cave painting from Preconquest times to the Colonial period, plus a complete visual catalog of the cave art of Naj Tunich. In 1979, a Kekchi Maya Indian accidentally discovered the entrance to Naj Tunich, a deep cave in the Maya Mountains of El Peten, Guatemala. One of the world’s few deep caves that contain rock art, Naj Tunich features figural images and hieroglyphic inscriptions that have helped to revolutionize our understanding of ancient Maya art and ritual. In this book, Andrea Stone takes a comprehensive look at Maya cave painting from Preconquest times to the Colonial period. After surveying Mesoamerican cave and rock painting sites and discussing all twen...
Stone Houses and Earth Lords is the first volume dedicated exclusively to the use of caves in the Maya Lowlands, covering primarily Classic Period archaeology from A.D. 100 through the Spaniards' arrival. Although the caves that riddled the lowlands show no signs of habitation, most contain evidence of human use - evidence that suggests that they functioned as ritual spaces.
En este volumen se muestra el quehacer actual sobre la gráfica rupestre. El análisis y la óptica personal, en cada caso, son el cimiento para establecer líneas de investigación y tomar iniciativas en proyectos como los realizalos en 1990 y 2005 sobre el mismo tema y que sigan dinamizando estos estudios. Los conceptos vertidos permitirán tener datos sobre su desarrollo, establecer un diagnóstico y, con base en ellos, proponer futuras líneas de investigación.
Esta obra sintetiza los datos empíricos y teórico-metodológicos de los estudios presentados en el primero y segundo seminario «Manifestaciones rupestres en América Latina» organizado por el Instituto universitario de Estudios sobre América Latina (IEAL) y el Secretariado de Divulgación Científica y Cultural de la Universidad de Sevilla. Aporta conocimientos novedosos y originales sobre las manifestaciones rupestres, las sociedades y culturas que las realizaron, cuáles fueron sus posibles significados, cómo se elaboraron, el porqué de su creación y qué podemos hacer para conservarlas.
Presents scholarly papers examining Indian rock art found in western Texas, southern New Mexico, and northeastern Mexico.
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Following the discovery of Franco-Caribbean cave art in the nineteenth century, standard interpretations of these works usually revolved around hunting, magic, and fertility cults. Orthodox positions such as these have weighed heavily on later generations of art historians, archaeologists, and anthropologists, even those whose views dissented from those of their predecessors. In the last few decades, however, new approaches to cave art, often based on discoveries made in Africa, Asia, Australia, North America, and the Arctic region, have produced new insights into possible meanings and functions of prehistoric paintings and sculptures. This new collection of essays explores these insights, g...