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This edited volume presents 27 original essays by living composers from all around the globe, reflecting on the creation of their music. Coterminous to the recent worldwide resurgence in feminist focus, the distinctive feature of this collection is the “snapshots” of creative processes and conceptualizing on the part of women who write music, writing in the present day, from prominent early-career composers to major figures, from a range of ethnic backgrounds in the contemporary music field. The chapters step into the juncture point at which feminism finds itself: as binary conceptions of gender are being dissolved, with critiques of the attendant gender-based historical generalizations ...
This book presents accounts of creative processes and contextual issues of current-day and early-twentieth century women composers. This collection of essays balances narratives of struggle, artistic prowess, and of "breaking through" the obstacles in the profession. Part I: Creative Work – Then and Now illuminates historical and present-day women’s composition and various iterations and conceptions of the “feminine voice”; Part II: The State of the Industry in the Present Day provides solutions from the frontline to sector inequities; and Part III: Creating; Collaborating: Composer and Performer Reflections offers personal stories of current creation in music. A Century of Composition by Women: Music Against the Odds draws together topical issues in feminist musicology over the past century. This volume provides insight into the professional and compositional procedures of creative women in music and stands to be relevant for composers, performers, industry professionals, students, and feminist and musicological scholars for many years to come.
This wide-ranging guide offers insights for musicians and students on how to be a composer.
Using landscape as its unifying concept, this engaging book explores orchestral music that represents real and imagined physical and cultural spaces, natural forces, and humans and wildlife. Spanning continents and centuries, David Knight links contrasting forms of music through unifying themes of time and space; waterscapes; imagined and mythic spaces; the search for meaning in extreme landscapes; and realms of death, survival, and remembrance. The author also underscores the importance of the physical spaces in which music is performed. Orchestral works are rarely perceived in geographical terms, but Knight, himself an accomplished geographer and musician, offers a deeply satisfying approach to interpreting and appreciating a wide range of music. Comparing classic masterworks from Europe and Russia alongside more recent compositions from the United States, Canada, New Zealand, Japan, and China, this innovative study offers a fresh understanding of the links between music and the worlds around us.
This book offers an approachable and evocative introduction to classical music composed in Australia in recent decades. With a balance of historical background and detailed description, composer and music journalist Gordon Kerry explores a number of themes landscape and spirituality, the influence of Europe and Asia that bring together the exciting variety of new works and voices working in Australian music now.
This volume continues the publication of Professor Elton's collected papers on topics in the history of Tudor and Stuart England. All appeared between 1973 and 1981. As before, they are reprinted exactly as originally published, with corrections and additions in footnotes. They include the author's four presidential addresses to the Royal Historical Society and bring together his preliminary findings in the history of Parliament and its records. Several of them, which appeared in various collections and Festschriften, have been difficult to find, and some are taken from locations in Germany and the United States unfamiliar to English readers. The eight lengthy reviews here republished examine some of the major questions in the history of the age and throw light on the principles of investigation which underlie the author's own research.
These are the edited (i.e. transcribed, annotated and indexed) diaries of the diplomat Sir Ernest Satow (1843-1929) for the six and a half years during which he was posted to Montevideo (Uruguay) and then Morocco. Throughout the period his ultimate goal was promotion to Minister in Japan, which he achieved in 1895. This edition includes a Foreword by diplomatic historian Professor T.G. Otte. The original diaries are in the National Archives (UK). Published for the first time on lulu.com.
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First published in 2001. Routledge is an imprint of Taylor & Francis, an informa company.
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