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« Mon premier livre serait comme le dessin du cygne qui, dans la fable, fut travaillé des années avant d’être offert à un empereur japonais. Il faut que le geste soit sûr. »Que trouve-t-on sous la plume de Maria Pourchet ? Pourquoi a-t-elle attendu d’avoir trente ans pour se mettre à écrire – alors qu’elle était sûre de sa vocation dès le CE1 ? Quel déclic doit-elle à Romain Gary ? Comment la langue est-elle devenue « un pote » ? Dans ce dialogue franc du collier, celle qui écrit « comme on gueule » raconte tout, ou presque : son enfance vosgienne « saturée » de livres, son admiration pour Pierre Michon, Achille Talon, Daniel Balavoine ou Les Valseuses, son art mordant de la punchline et, très en détails, la fabrication de ses six premiers romans, d’Avancer (2012) au succès de Feu (2021). Une conversation lucide et incandescente avec l’une des révélations de la scène littéraire contemporaine. « Bookmakers » est à l’origine un podcast littéraire diffusé sur ARTE Radio. Tous les deux mois, Richard Gaitet écoute les plus grand·e·s écrivain·e·s francophones détailler leurs secrets d’écriture.
Literature and film generate symbolic as well as economic capital. As such, aesthetic productions exist in various contexts following contrasting rules. Which role(s) do authors and filmmakers play in positioning themselves in this conflictive relation? Bringing together fourteen essays by scholars from Germany, the USA, the UK and France, this volume examines the multiple ways in which the progressive (self-) fashioning of authors and filmmakers interacts with the public sphere, generating authorial postures, and thus arouses attention. It questions the autonomous nature of the artistic creation and highlights the parallels and differences between the more or less clear-cut national context...
"My name is Marie-Claire. I have had nightmares every night from the time I was 11, when I was kidnapped.” From the clutches of a French family who tortured her into the grips of an Algerian family who kidnapped and confined her, Marie-Claire went through hell before making a spectacular escape and reaching France. There are lives whose reality is hard to imagine. Marie-Claire's life is one of those. An unwanted child, born in France, beaten, involved in drug trafficking, she was abandoned, temporarily placed in the care of Social Services, before being returned to her parents—and then she was kidnapped by her stepfather and then by her father’s family that included a radicalized Islam...
Le livre de sagesse est par son caractère protéiforme une entité difficile à appréhender selon une méthode a priori ; il semble en revanche mieux se prêter à un examen des conditions empiriques de sa réception. En choisissant de déplacer la cible d'étude de l'écriture sapientiale à la lecture de sagesse, ce livre, fruit d'un colloque tenu à Metz en septembre 2006, réévalue l'importance des médiations, qu'elles soient éditoriales, sociales, pédagogiques ou poétiques. Plus qu'un usager, le lecteur apparaît dans ce contexte comme le pratiquant d'une religion sans dogme, sans discipline ni normativité. La relation instituée engage une dynamique de rupture, soit insensible ...
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“기억해라. 너는 네 안의 그늘을 등불로 삼고, 너의 욕망을 바로 너 자신으로 받아들였다.” 찬란하게 솟구치는 화염 속으로 걸어가는 위태로운 연인 그들의 일그러진 사랑을 포착한 독보적인 시선 “미셸 우엘벡과 로맹 가리 스타일로 아니 에르노의 탐구를 새롭게 이어가는 작품”이라는 찬사와 함께 공쿠르상, 르노도상 등 프랑스 대표 문학상에 노미네이트되고 독창적이고 진보적인 소설에 수여하는 파리 리브고슈상을 수상한 마리아 푸르셰의 『불』이 비채에서 출간되었다. 『불』은 허울뿐인 가정을 지키기 위해 고군분투하는 대학교수 로르와 파리 최대 상업지구 라데팡스의 은행에서 고위직으로 일하는 클레망의 일그러진 사랑을 그려낸다. 두 화자를 번갈아 내세우며 펼쳐내는 상반된 문체와 일인칭과 이인칭을 넘나드는 시점 등 실험적인 형식에 더해, 여성의 욕망과 세대 담론 등 현시대의 첨예한 쟁점을 담아내며 프랑스 문단에 논쟁과 찬사를 동시에 일으켰다.