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Authority of Expression in Early Modern England
Authority of Expression in Early Modern England brings together an international group of scholars writing on the relationships between authority and the self in early modern English literature, discussing writers such as Edmund Spenser, William Shakespeare, John Donne, Ben Jonson, Thomas Middleton and Andrew Marvell. The early modern period was a time of momentous religious, political and cultural change, with scientific and geographical exploration opening new horizons, challenging established truths, and unsettling the concepts and practices of authority. In this book, scholars approach the texts from a literary, historical and/or linguistic point of view, thus providing multiple perspectives on the topic. Themes explored include the links between sense perception and cognition in the establishment of authority; the ways that sexuality, gender relations and language are implicated in expressing and responding to authority; and conceptions of the self and the strategies that individuals adopt to cope with changes in their frameworks of authority and power. This wide-ranging collection offers new perspectives on how authority was negotiated in the English Renaissance.
Lawyers at Play
Many early modern poets and playwrights were also members of the legal societies the Inns of Court and these authors shaped the development of key genres of the English Renaissance, especially lyric poetry, dramatic tragedy, satire, and masque. But how did the Inns come to be literary centers in the first place, and why were they especially vibrant at particular times? Early modernists have long understood that urban setting and institutional environment were central to this phenomenon: in the vibrant world of London, educated men with time on their hands turned to literary pastimes for something to do. Lawyers at Play proposes an additional, more essential dynamic: the literary culture of t...
Performing Masculinity in English University Drama, 1598-1636
Referencing early modern English play texts alongside contemporary records, accounts and statutes, this study offers an overdue assessment of the relationship between the dramatic efforts of the universities and early modern male identity. Taking into account the near single-sex constitution of early modern universities, the book argues that performances of university plays, and student responses to them, were key ways of exploring and shaping early modern masculinity. Christopher Marlow shows how the plays dealt with their academic and social contexts, and analyses their responses to competing versions of masculinity. He also considers the implications of university authority and royal patronage for scholarly performances of masculinity; the effect of the literary traditions of classical friendship and platonic love on academic representations of male behaviour; and the relationship between university drama and masculine initiation rituals. Including discussion of the Parnassus trilogy, Club Law and works by Thomas Randolph, William Cartwright, John Milton and others, this study shines new light on long neglected aspects of the golden age of English drama.
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The Original Meaning of the Fourteenth Amendment
A renowned constitutional scholar and a rising star provide a balanced and definitive analysis of the origins and original meaning of the Fourteenth Amendment. Adopted in 1868, the Fourteenth Amendment profoundly changed the Constitution, giving the federal judiciary and Congress new powers to protect the fundamental rights of individuals from being violated by the states. Yet, according to Randy Barnett and Evan Bernick, the Supreme Court has long misunderstood or ignored the original meaning of the amendmentÕs key clauses, covering the privileges and immunities of citizenship, due process of law, and the equal protection of the laws. Barnett and Bernick contend that the Fourteenth Amendme...
Neoclassical Tragedy in Elizabethan England
Examining the development of neoclassical tragedy during the reign of Elizabeth I (1558-1603), this work investigates the varied manifestations of tragedy modelled upon the classical heritage of ancient Greek drama as adapted by Seneca.
Archbishop Laud, 1573-1645
The most powerful man in England during the so-called "eleven years tyranny" from 1629-1640, William Laud was thrown from power in 1640 and executed. An esteemed scholar uncovers the social ideal that lay behind the controversial archbishop's political and religious conservatism-an ideal fatally obscured by Laud's human limitations. "A book that is, by any standards, brilliant."--New Statesman British historian Hugh Trevor-Roper is celebrated for his works on World War II and on Elizabethan history. His distinguished academic career includes professorships at Oxford and Cambridge.
Trauma and Life Stories
In this volume leading academics explore the relationship between the experiences of terror and helplessness, the way in which survivors remember and the representation of these memories in the language and form of their life stories.
War, Conflict And Play
'War, Conflict and Play' examines the impact of war and conflict on young children and emphasises the crucial importance of play for young refugees' development, in the context of the United Nations Convention on the Rights of the Child.
