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This book offers a stylistic analysis of an early-twentieth-century Venezuelan writer known for his travel accounts, stories, novels, and essays. It concentrates on three novels: dolos rotos, Sangre patricidia, and Peregrina. It discusses contexts (criollismo and modernismo), summarizes plots, and examines sense impressions, imagery, and syntactic devices.
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The Historical Dictionary of Latin American Literature and Theater provides users with an accessible single-volume reference tool covering Portuguese-speaking Brazil and the 16 Spanish-speaking countries of continental Latin America (Argentina, Bolivia, Chile, Colombia, Costa Rica, Ecuador, El Salvador, Guatemala, Honduras, Mexico, Nicaragua, Panama, Paraguay, Peru, Uruguay, and Venezuela). Entries for authors, from the early colonial period to the present, give succinct biographical data and an account of the author's literary production, with particular attention to their most prominent works and where they belong in literary history.
Examines the challenges facing German-language study in the new millennium and highlights how creative, innovative, inspired approaches have allowed it to weather many of them.
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A registry of criticism on 78 writers of Mexico in all genres and periods.
In 1894, Eleanor L. Pray left her New England home to move with her merchant husband to Vladivostok in the Russian Far East. Over the next thirty-six years — from the time of Tsar Alexander III to the early years of Stalin’s rule — she wrote more than 2,000 letters chronicling her family life and the tumultuous social and political events she witnessed. Vladivostok, 5,600 miles east of Moscow, was shaped by a rich intersection of Asian cultures, and Pray’s witty and observant writing paints a vivid picture of the city and its denizens during a period of momentous social change. The book offers highlights from Pray’s letters along with illuminating historical and biographical information.