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Petrarch and the Literary Culture of Nineteenth-century France
A consideration of Petrarch's influence on, and appearance in, French texts - and in particular, his appropriation by the Avignonese. Was Petrarch French? This book explores the various answers to that bold question offered by French readers and translators of Petrarch working in a period of less well-known but equally rich Petrarchism: the nineteenth century. It considers both translations and rewritings: the former comprise not only Petrarch's celebrated Italian poetry but also his often neglected Latin works; the latter explore Petrarch's influence on and presence in French novels aswell as poetry of the period, both in and out of the canon. Nineteenth-century French Petrarchism has its r...
Diderot Studies
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Index to Book Reviews in England, 1749-1774
This index provides valuable information on the vast majority of reviews of poetry, fiction, and drama during the first 25 years of modern, formalized book reviewing in England. Forster introduces readers to the wealth of material in the two major review journals (Monthly Review and Critical Review), the two major magazines (Gentleman’s and London), and 11 other periodicals. She includes in her 3,023 entries information on format, price, and bookseller’s name taken from the books themselves. In her Introduction, Forster surveys some material concerning the reviewers’ public attitude to their self-appointed task to provide a background against which the reviewers’ literary judgments can be examined.
The Origin of the Fays
The thirteen stories collected in this volume may be replete with fays, ogres, magic swords and other motifs, but they also revolve around a series of moral dilemmas, provided with fanciful magically-aided resolutions, although reflecting real philosophical debates of the times.
Censorship of Literature in Austria, 1751-1848
The influence of censorship on the intellectual and political life in the Habsburg Monarchy during the period under scrutiny can hardly be overstated. This study examines the institutional foundations, operating principles, and results of the censorial activity through analysis of the prohibition lists and examination of the censors themselves. The effects of censorship on the authors, publishers, and booksellers of the time are illustrated with the help of contemporary documents. Numerous case studies focus on individual works forbidden by the censors: Romanticists like Ludwig Tieck and E. T. A. Hoffmann and even authors of classic German literature like Wieland, Goethe, and Schiller saw their works slashed, as did writers of popular French and English novels and plays. An annex documents the most important regulations along with a selection of censorial reports.
Arts and Arms
Protagonists featured include: William Pitt; Henry Fox; the Duke of Newcastle; Lord Bute; George II and III; and Britain's ally Frederick II of Prussia. By placing literary works in a close political context they test the accuracy of the information conveyed against the correspondence and memoirs of politicians and parliamentary debates. The degree to which literature not only recorded, but also helped to shape political attitudes, is explored by its interaction with these and other expressions of opinion, such as popular protest and extra-parliamentary initiatives.
Voltaire's disciple
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