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"The Dark House" by I. A. R. Wylie is a compelling mystery novel that explores the psychological depths of its characters even as unraveling a suspenseful plot. Wylie paintings stands as a testomony to her talent in crafting tricky narratives. The tale is set in an isolated and mysterious mansion referred to as the Dark House. The valuable person, Mark Linton, inherits this imposing estate with a grim recognition. As Mark settles into his new home, he turns into entangled in a web of secrets, abnormal occurrences, and family records that shrouds the mansion in an eerie atmosphere. Wylie weaves a tale of suspense and mental tension, delving into the complexities of the human thoughts and the haunting legacies that could linger inside a circle of relatives. The Dark House itself turns into an individual in the narrative, its shadowy corridors and hidden corners reflecting the secrets and techniques hid inside. The novel skillfully combines elements of Gothic fiction with mental thriller, creating an atmospheric and immersive analyzing enjoy. As Mark unravels the mysteries of the Dark House, readers are taken on a journey that explores the bounds between truth and the supernatural.
This bibliography of archival sources on the history of women in Manitoba, includes material pre-1867 right until 1970s. It categories sources into general three parts focussed on identity, work and activities, and mentality, faith, and reform. Exploring women from diverse ethnic and cultural backgrounds, it provides inroads into researching women roles in agriculture, business, education and health but also women and sexuality, women and culture, and women and politics.
Women Warriors in Romantic Drama advances scholarship on late eighteenth- and early nineteenth-century theater by bringing together, for the first time, female and male dramatists as well as British, German, Irish, and French writers, thinkers, actors, and philosophers. This transnational perspective allows Women Warriors in Romantic Drama to make the provocative claim that in some instances, the violence of the French Revolution--and especially women's participation in it--advances proto-feminist concerns.
Contemporary French Women Poetsoffers the first full-length study, divided into two volumes, of a wide range of women's poetry in France written over the past forty years. Volume I provides a broad Introduction, eight chapters devoted to individual critical assessments of the work of Andrée Chedid, Heather Dohollau, Denise Le Dantec, Janine Mitaud, Jacqueline Risset, Anne Teyssiéras, Esther Tellermann and Marie-Claire Bancquart, followed by a provisional Conclusion and Bibliography. Volume II recentres the overall analysis via a brief Introduction, then proceeds to offer eight more individual critical evaluations of the work of Jeanne Hyvrard, Jeannine Baude, Françoise Hàn, Céline Zins, Vénus Khoury-Ghata, Denise Borias, Marie Etienne and Anne-Marie Albiach. An overall Conclusion is then developed, followed by a Bibliography.
dark horse /ˈdärk ˈˌhôrs/ noun 1. a candidate or competitor about whom little is known but who unexpectedly wins or succeeds. "a dark-horse candidate" Join us for a monthly tour of writers who give as good as they get. From hard science-fiction to stark, melancholic apocalypses; from Lovecraftian horror to zombies and horror comedy; from whimsical interludes to tales of unlikely compassion--whatever it is, if it's weird, it's here. So grab a seat before the starting gun fires, pour yourself a glass of strange wine, and get ready for the running of the dark horses. In this issue: NIGHT VISION Brad Petit PINK ON PINK Mary Jo Rabe REQUIEM FOR A GOBLIN Lamont A. Turner THE FIFTH STAGE OF GRIEF Cedrick May THE MARINER Jennifer Walker THE MEN WITH GREEN FACES Christian Riley THIS IS NOT MY BUTTERFLY Joseph Hirsch TONS-AWAY Judith Pancoast TRIBUTES William Curnow BURN Wayne Kyle Spitzer
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Christian Childbirth by Marianne Manley RN, CNM contains birth stories written by Christians for Christians and provides information related to childbearing and beyond from a Christian perspective. Christians are encouraged to trust God at this time. He that spared not his own Son, but delivered him up for us all, how shall he not with him also freely give us all things? . . . It is Christ that died, yea rather, that is risen again, who is even at the right hand of God, who also maketh intercession for us Romans 8:32-34 (KJV). An anthology of birth stories which depict various scenarios which may be encountered in natural childbirth follows a brief description of how Marianne became a Christ...