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New essays that shed light on the shadowy figure of Piranesi
The calamity that proved lethal for Pompeii inhabitants preserved the city for centuries, leaving behind a snapshot of Roman daily life that has captured the imagination of generations, including Renoir, Freud, Hirohito, Mozart, Dickens, Twain, Rossellini, and Ingrid Bergman. Interwoven is the thread of Ingrid Rowland's own impressions of Pompeii.
Traces the reconstruction of the Basilica of Saint Paul Outside the Walls, providing a new prehistory of the great Catholic revival after 1850.
This book is an account of an almost completely neglected archaeological epic, the uncovering and restoration of all the classical monuments of Rome during the French occupation (1809-14). This was the first large-scale archaeological programme in the city. Based on archives in Rome and Paris, the archaeology of these five years is placed against its essential background: the fate of the monuments since antiquity and the contemporary Napoleonic political and cultural history. Mr Ridley describes the enormously complicated organisation which carried out the work and identifies the leading administrators, archaeologists and architects. The bulk of the work is a detailed account of the excavation and restoration work on the Forum Romanum, the Colosseum and the Forum of Trajan, the main classical monuments. There are numerous illustrations of the monuments both before and after the French intervention, as well as unpublished plans from the archives. There is an extensive specialist index. The book is intended for anyone interested in archaeology, in Napoleonic Europe and above all, in Rome.
Describing Italy as "the only region of the earth that I truly love," James Fenimore Cooper used the style of picturesque impressionism to convey his vision of Italy as the microcosm of an ordered and a beautiful world. In theory, the picturesque style of writing could produce verbal sketches that embodied a visual complexity similar to that of the great Baroque and Romantic landscape paintings. In practice, the hundreds of travel books written in the picturesque style in the early 1900s communicated rapturous enthusiasm with blurred or even false reports of actual scenes. Cooper, with his scrupulous fidelity to the seen world, intended to alter this practice decisively. The response of his ...
Cleanness, both in the sense of a neoclassical stylistic purity and of an individual moral and political probity, was centrally important to Walter Savage Landor's writing, both in his prose and poetry. At the same time, this commitment to purity was contaminated in a variety of eloquent and complicating uncleannesses: his own fiery temper and frequent rages; his sometimes scurrilous and sexually explicit Latin poems; and the innovative, compacted, proto-Modernist verse style of works such as his epic Gebir, as stylistically-tangled and potent a poem ever produced in the Romantic era. The present study, the first comprehensive study of Landor's writing for nearly half a century, addresses th...
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This volume presents 49 19th-century drawings by John Izarc Middleton - an American expatriate and South Carolina native who dedicated his life to the study of antiquity and classical ruins. Primarily known for his drawings of Grecian architectural remains, this text focuses on his views of Rome.
Cover -- Half Title -- Title -- Copyright -- Contents -- ACKNOWLEDGMENTS -- INTRODUCTION -- ONE: From Manhattan to Paris -- TWO: London and the Alps -- THREE: Italian Skies -- FOUR: Imaginary Politics -- FIVE: Republican Principles -- SIX: Rough Homecoming -- SEVEN: Public Versus Private -- EIGHT: Libels on Libels -- NINE: A Legacy Reclaimed -- TEN: Piecework and Patchwork -- ELEVEN: At Sea -- TWELVE: Coming on Shore -- THIRTEEN: Florida and the Pacific -- FOURTEEN: Speculations -- FIFTEEN: Last Words -- SIXTEEN: Endings -- APPENDIX: Cooper's Libel Suits -- LIST OF ABBREVIATIONS -- NOTES -- INDEX -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- U -- V -- W -- Y -- Z -- Illustrations
Rome's Galleria Borghese, home of the Borghese family, influential in the 17th and 19th centuries, now contains some of the greatest pieces of Western art. The home and museum features work by masters such as Raphael, Coanova, Bernini, and Caravaggio. This guidebook leads the reader room by room, describing each work of art along with its symbolism and cultural references. Also included are hundreds of color reproductions and commentary on each piece.