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Marie Lund: The Falling: Photographs by Frederik Worm
An exhibition in book form staging a unique encounter between sculpture and photography Born out of a close collaboration between Danish artists Marie Lund (born 1976) and Frederik Worm (born 1991), this artist's book expands the physical experience of the exhibition The Falling--staged at Kunstmuseum St.Gallen along with the work of Cally Spooner (born 1983) and Hans Josephsohn (1920-2012)--in print form. Lund invited Worm to document the exhibition, which he did through a series of photographs taken at different times over its duration. Lund's sculptures incorporate materials such as found objects, metal, clay, textiles and concrete, creating shapes that deftly manipulate volume and texture. Responding to their presence, Worm's suite of photographs takes the form of a kinetic trip through the works, favoring proximity and oblique perspectives, blurring the relation between the sculptures and the spaces they inhabit. The Falling is both an experience of the exhibition and a record of the artists' intimate conversation through their respective mediums.
Current Catalog
First multi-year cumulation covers six years: 1965-70.
Rikka
“Rikka remembered her teacher’s words. Spirit needs muscle. Not only muscle of flesh and bone, she thought, but the muscle of a spirit inured to hardship and suffering. Surely, we have had enough of that to make us strong!” From a close-knit community on the wave-scoured islands of northern Norway to a wind-swept prairie homestead, Rikka traverses love and loss, joy and sorrow, with passion and determination. Rikka’s journey takes her across an ocean, a continent, and a lifetime. She plumbs the depths of her own heart and discovers the beauty of life beyond grit and endurance. This novel is based on the true story of one of Western Canada’s female immigrant pioneers.
The Secret Language of Stones
"As World War I rages ... young, ambitious jewelry maker [and Parisian] Opaline Duplessi spends her time making trench watches for soldiers at the front, as well as mourning jewelry for the mothers, wives, and lovers of those who have fallen. People say that Opaline's creations are magical ... Opaline does have a rare gift even she can't deny, a form of lithomancy that allows her to translate the energy emanating from stones. Certain gemstones, combined with a personal item, such as a lock of hair, enable her to receive messages from beyond the grave. In her mind, she is no mystic, but merely a messenger, giving voice to soldiers who died before they were able to properly express themselves to loved ones. Until one day, one of these fallen soldiers communicates a message -- directly to her"--Provided by publisher.
Marie Lund
This monograph on the artist Marie Lund comprises a two-sided reflection - the first mute, iconographic; the second speculative, text-based - on how we approach sculpture when it is reproduced on paper, or rather, how we approach an image of three-dimensional reality when we are offered a single, flat vantage point. It is the very act of "paging through" sculpture after sculpture, in this publication, that powerfully accentuates the texture of the materials, ranging from alabaster to steatite. Materials that have been transubstantiated into images, conceived by the artist to make our gaze wander over the stone surfaces and our mind wander through the disorienting awareness of a disallowed spatiality.
Norwegian Newspapers in America
A comprehensive look at the Norwegian-language press, celebrating the tireless writers, editors, and publishers whose efforts helped guide Norwegian immigrants on their path to becoming Norwegian Americans.
General Register
Announcements for the following year included in some vols.
Reinventions of the Novel
The history of the Novel is a story of perpetual change, so that its identity still remains open to question. The sixteen articles in Reinventions of the Novel investigate connections, differences and similarities in the Novel around the world for the past three hundred years. Rather than searching for the essence of the genre, they look for the formal and thematic patterns on which the novel thrives, considering such matters as tradition and modernity, realism, rhetoric and identity, tableau and spatiality, and wondering whether epic and avant-garde are not quite contradictory terms. Close readings combined with historical overviews and theoretical discussions open up new constellations in ...
Fearing the Dark
Cat People (1942) and I Walked with a Zombie (1943) established Val Lewton's hauntingly graceful style where suggestion was often used in place of explicit violence. His stylish B thrillers were imitated by a generation of filmmakers such as Richard Wallace, William Castle, and even Walt Disney in his animated Adventures of Ichabod and Mr. Toad (1949). Through interviews with many of Lewton's associates (including his wife and son) and extensive research, his life and output are thoroughly examined.
