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How to grasp poetry in its contemporary digital situation, a situation wherein poetry travels across digital and analoge media platforms and intended or not collaborates with computers? Situating Scandinavian Poetry in the Computational Network environment investigates how heterogeneous forms of poetry in Scandinavia interact with and work in a digital media environment, how digital programmable and network media intervene with and shape new poetic forms or remediate older forms of poetry, and how digital and digitalized poetry through its self-reflexivity sheds light on digital media technology and its role for poetry and potentially for literature and aesthetics more in general. In doing s...
This book explores how states and traits of anxiety are reflected in the style and structure of certain works by three key figures of modern Scandinavian literature: August Strindberg, Inger Christensen, Karl Ove Knausgård. On the basis of particular literary analyses, it develops a literary phenomenology of anxiety as well as a hermeneutical theory of anxiety that considers the ways in which anxiety has been represented in various genres of modern Scandinavian literature from the last three centuries. Whereas the former uncovers the ways in which anxiety is reflected in literary form and style, the latter interprets the relationship between author, text, and reader as well as the effects o...
A multitude of ideas about individual and distributed agency circulated in Scandinavian culture during the 1960s, a period often designated as the early information age. Through an analysis of six novels, this dissertation discusses how prose fiction in and around the 1960s in Norway, Sweden and Denmark responded and contributed to this circulation of ideas of agency. The study argues that a transition is played out in the novels, from an idea of agency as individualistic and possessive, which I designate as melodramatic, towards an idea of agency as distributed and ecodramatic, emerging in an active environment, where multiple agents, human and non-human, co-exist (these concepts are derive...
This book critically examines how the production and reception of performed poetry has changed in the wake of digitalization. The interdisciplinary chapters in this volume deal with fundamental questions confronting performed poetry in the digital age: How are concepts like liveness and performativity being adapted to mediatized digital environments? How are platforms like YouTube, Instagram, and TikTok helping to popularize performed poetry, and what online formats are emerging? How is the ubiquity of digital technologies transforming fields like experimental sound poetry, and how are they performed on stage? Bringing together authors from various countries and disciplines, this volume addresses diverse topics such as the evolution of poetry readings in Scandinavia; poetry slams as political criticism and a social practice in Brazil, the UK, the US, and Italy; the performance of AI poetry; posthuman entanglements between gendered bodies and technological devices in experimental sound poetry; the aesthetics and practices of poetic activism on the street and social media; and how recordings of performed poetry are being circulated in our current platformized, digital environment.
In this fascinating text Gunnar Olsson tells the story of an arkographer, who with Pallas Athene’s blessings, travels down the Red River Valley, navigates the Kantian Island of Truth, and takes a house-tour through the Crystal Palace, the latter edifice an imagination grown out of Gunnael Jensson’s sculpture Mappa Mundi Universalis. This travel story carries the arkographer from the oldest creation epics extant to the power struggles of today—nothing less than a codification of the taken-for-granted, a mapping of the no-man’s-land between the five senses of the body and the sixth sense of culture. By constantly asking how we are made so obedient and predictable, the explorer searches...
One of the great poetic masterpieces of the past century, exquisitely translated from the Swedish. Winner of the 2006 Nordic Council’s Literature Prize, Swedish writer Göran Sonnevi is undoubtedly one of the most important poets working today. In Mozart’s Third Brain, his thirteenth book of verse, he attempts “a commentary on everything” – politics, current events, mathematics, love, ethics, music, philosophy, nature. Through the impeccable skill of award-winning translator Rika Lesser, Sonnevi’s long-form poem comes to life in English with the full force of its loose, fractured, and radiating intensity. A poetic tour de force that darts about dynamically and imaginatively, Mozart’s Third Brain weaves an elaborate web of associations as the poet tries to integrate his private consciousness with the world around him. Through Lesser’s translation and preface, and an enlightening foreword by Rosanna Warren, readers of English will finally gain access to this masterpiece.
I foråret 2018 udkom Inger Christensens verden ønsker at se sig selv. Bogen er næsten 1.000 sider lang og fyldt med færdige og ufærdige digte, prosaskitser, anmeldelser og meget mere. Tilsammen kaster teksterne væsentligt nyt lys over et af det tyvende århundredes vigtigste danske forfatterskaber og en af de internationalt mest fejrede moderne nordiske lyrikere. I denne bog spørger en række fremtrædende Inger Christensen-forskere, hvilke konsekvenser verden ønsker at se sig selv har for vores billede af forfatterskabet. Inger Christensens værker udmærker sig ved at være usædvanligt gennemarbejdede. De virker som om, de ikke kunne være anderledes. Undersøgelsen af hendes papirer fører os bag dette perfekte billede af værkerne og ind i den proces, som lå forud. Ikke alene støder vi på et hidtil ukendt udkast til en krimi fra Paris, vi får også lejlighed til at genbesøge Christensens spekulative essays og hovedværkerne det, Brev i april og alfabet. Frem træder et revideret og endnu rigere billede af forfatterskabet.
This highly original collection is a far cry from the demand on the literary humanities to offer the soothing hum of theory to a world of breaks, crises and pain. Instead, it exemplifies a way ahead for the critical humanities.... -Arjun Appadurai, New York University 'Doing the Humanities' comes to life in this passionate, provocative set of experiments in descriptive poetics. Failure, fantasy, freefall are reconceived as forms of aesthetic achievement across the creative arts.... -Ros Ballaster, University of Oxford ....This timely volume inspires a collective undertaking to learn 'to do' the humanities through the untimeliness of a work of art. A humanities that remains attentive to this ...
Why read non-fiction? Is it just to find things out? Or is it for pleasure, challenge, adventure, meaning? Here, in seventy new pieces, some of the most original writers and thinkers of our time give their answers. From Hilton Als on reading as writing's dearest companion to Nicci Gerrard on reading for her life; from Malcolm Gladwell on entering the minds of others to Michael Lewis on books as secret discoveries; and from Lea Ypi on the search for freedom to Slavoj Žižek on violent readings, each offers their own surprising perspective on the simple act of turning a page. The result is a celebration of seeing the world in new ways - and of having our minds changed.
A Map of Absence presents the finest poetry and prose by Palestinian writers over the last seventy years. Featuring writers in the diaspora and those living under occupation, these striking entries pay testament to one of the most pivotal events in modern history - the 1948 Nakba. This unique, landmark anthology includes translated excerpts of works by major authors such as Mahmoud Darwish, Ghassan Kanafani and Fadwa Tuqan alongside those of emerging writers, published here in English for the first time. Depicting the varied aspects of Palestinian life both before and after 1948, their writings highlight the ongoing resonances of the Nakba. An intimate companion for all lovers of world literature, A Map of Absence reveals the depth and breadth of Palestinian writing.