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Alloys
A new look at the interrelationship of architecture and sculpture during one of the richest periods of American modern design Alloys looks at a unique period of synergy and exchange in the postwar United States, when sculpture profoundly shaped architecture, and vice versa. Leading architects such as Gordon Bunshaft and Eero Saarinen turned to sculptors including Harry Bertoia, Alexander Calder, Richard Lippold, and Isamu Noguchi to produce site-determined, large-scale sculptures tailored for their buildings’ highly visible and well-traversed threshold spaces. The parameters of these spaces—atriums, lobbies, plazas, and entryways—led to various designs like sculptural walls, ceilings, ...
Sculptural Materiality in the Age of Conceptualism
Sculptural Materiality in the Age of Conceptualism is structured around four distinct but interrelated projects initially realized in Italy between 1966 and 1972: Yayoi Kusama?s Narcissus Garden, Michelangelo Pistoletto?s Newspaper Sphere (Sfera di giornali), Robert Smithson?s Asphalt Rundown, and Joseph Beuys?s Arena. These works all utilized non-traditional materials, collaborative patronage models, and alternative modes of display to create a spatially and temporally dispersed arena of matter and action, with photography serving as a connective, material thread within the sculpture it reflects. While created by major artists of the postwar period, these particular projects have yet to rec...
Postwar Italian Art History Today
Postwar Italian Art History Today brings fresh critical consideration to the parameters and impact of Italian art and visual culture studies of the past several decades. Taking its cue from the thirty-year anniversary of curator Germano Celant's landmark exhibition at PS1 in New York – The Knot – this volume presents innovative case studies and emphasizes new methodologies deployed in the study of postwar Italian art as a means to evaluate the current state of the field. Included are fifteen essays that each examine, from a different viewpoint, the issues, concerns, and questions driving postwar Italian art history. The editors and contributors call for a systematic reconsideration of the artistic origins of postwar Italian art, the terminology that is used to describe the work produced, and key personalities and institutions that promoted and supported the development and marketing of this art in Italy and abroad.
Harry Bertoia
An extraordinary artist and designer: a fresh view of Harry Bertoia's entire body of work. Italian-born American Harry Bertoia (1915-78) was one of the most prolific and innovative artists and designers of the postwar period. Trained at the Cranbrook Academy of Art, where he met future colleagues and collaborators, such as Charles and Ray Eames, Florence Knoll, and Eero Saarinen, he went on to make one-of-a-kind jewelry, design iconic chairs, create thousands of unique sculptures including large-scale commissions for significant buildings, and advance the use of sound as sculptural material. His work speaks to the confluence of numerous fields of endeavor but is united throughout by a sculpt...
Lynn Chadwick
A leading modern British sculptor, Lynn Chadwick (1914-2003) was celebrated for his abstracted figures of human and animal forms in welded steel and bronze. His work first attracted international attention at the 1952 Venice Biennale. Just four years later he became the youngest artist to be awarded the International Prize for Sculpture, which Alberto Giacometti had been expected to win. The paradox of Chadwick's long career is that, while his work later fell out of favor in his native Britain, he sustained a strong reputation abroad. The first book to set Chadwick's work in international context, Lynn Chadwick: A Sculptor on the International Stage sets out to change that. Art historians Mi...
Edgar Miller: Anti-Modern, 1917-1967
A survey of the work of one of Chicago's most prolific artists. Edgar Miller (1899-1993) arrived in Chicago in 1917 and, over the next fifty years, established a successful career as a multi-hyphenate creative practitioner. He worked as an architect, artist, craftsperson, curator, designer, and illustrator during a particularly rich period that saw the ascendancy of modernism across the visual culture of the city. Though aware of contemporary developments and debates, Miller's tremendous body of work, which spanned multiple media, materials, and disciplines, speaks to an individual unconcerned with trends, labels, or what became the established tenets of modern art. While developing a signat...
The Sculpture of William Edmondson
A catalog of William Edmondson's work for the Cheekwood Estate and Gardens exhibit in 2021
Return to Earth
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The Irascibles
"The fact that most modern and contemporary art is produced with the idea of it ending up in a museum seems so natural to us that we can hardly think about the relationship between museums and artists as anything other than a kind of productive symbiosis. We tend to think that artists create, and museums as a matter of course preserve what is created. But in fact modern museums are, above all, filled with art produced against the museum. The Irascibles: Painters Against the Museum (New York, 1950) examines one of the most significant episodes in this historical dialectic between the museum and artists, through the lens of the now iconic Nina Leen photograph published by Life magazine on Janu...
