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Chicagoland boasts the world's largest population of Serbs outside of Serbia. Seeking economic opportunities and religious freedom, Serbs first settled in the area more than 100 years ago. Many found work in steel mills and other industries along the banks of Lake Michigan. The first Serbian Orthodox church in the Chicago area began serving parishioners in 1911, and more than a dozen additional congregations were built for the growing numbers of Serbs who arrived after World War II. Civic organizations, such as the Circle of Serbian Sisters, were established to honor and uphold customs from the "old country." Traditional Kolo dancing groups, tambura ensembles, and performance troupes have entertained Serbs and non-Serbs alike. Actor Karl Malden, perhaps the most famous Serbian American from the Chicagoland area, first took the stage in theater productions at his family's Gary, Indiana, Serbian Orthodox church. After the devastating wars in the Balkans in the 1990s, a new wave of Serbian immigrants arrived in Chicago, demonstrating that the city remains a welcoming place due to its abundance of Serbian culture, churches, and community.
"Love Set to Music" and "A Song for You and Me", the last two novels in the Malcolm Craig series are set in South Africa from 1956 to 1966. Malcolm Craig and Marina Dunbar settle in the country after problems with the Inland Revenue in the United Kingdom. They open a studio in Johannesburg and start teaching in addition to their theatre work. Despite the "sweethearts of song" image of their marriage, their relationship remains stormy but matters are eventually resolved in a highly unexpected way. These last two novels are largely based on my own private experiences which I have recreated as fiction thanks to my memories, contemporary diaries, and a fair share of my imagination. As to the "key" of these novels - some might work it out for themselves but I will never disclose it to anyone as long as I live!
Includes entries for maps and atlases.
Audiences have long enjoyed Sergei Prokofiev's musical score for Alexander Nevsky, a historical film that cast a thirteenth-century Russian victory over invading Teutonic Knights as an allegory of contemporary Soviet strength in the face of Nazi warmongering. The cantata that Prokofiev derived from the score has proven even more popular and remains one of his most-performed works. This critical companion explores this music and the ways in which it has engaged listeners, performers, and artists throughout the twentieth and twenty-first centuries, tracing its path from state propaganda to repertory classic.
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