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The Rotarian
Established in 1911, The Rotarian is the official magazine of Rotary International and is circulated worldwide. Each issue contains feature articles, columns, and departments about, or of interest to, Rotarians. Seventeen Nobel Prize winners and 19 Pulitzer Prize winners – from Mahatma Ghandi to Kurt Vonnegut Jr. – have written for the magazine.
Our Lady of Guadalupe and Saint Juan Diego
Provides an account of the Guadalupan Event in which the Virgin Mary is said to have appeared to Juan Diego Cuauhtlatoatzin, a native Mexican, in 1531, investigates the evidence that supports Juan Diego's account, and discusses the lasting cultural effects of the apparition.
Our Lady of Guadalupe
Our Lady of Guadalupe is the most important religious symbol of Mexico and one of the most powerful female icons of Mexican culture. In this study, based on research done among second-generation Mexican-American women, Rodriguez examines the role the symbol of Guadalupe has played in the development of these women. She goes beyond the thematic and religious implications of the symbol to delve into its relevance to their daily lives. Rodriguez's study offers an important reinterpretation of one of the New World's most potent symbols. Her conclusions dispute the common perception that Guadalupe is a model of servility and suffering. Rather, she reinterprets the symbol of Guadalupe as a liberating and empowering catalyst for Mexican-American women.
Murder and Politics in Mexico
Murder and Politics in Mexico studies the causes of political killings in Mexico’s liberalization-democratization within the larger context of political repression. Mexico’s democratization process has entailed a little known but highly significant cost of human lives in pre- and post-election violence. The majority of these crimes remain in a state of impunity: in other words, no person had been charged with the crime and/or no investigation of it had occurred. This has several consequences for Mexican politics: when the level of violence is extreme and when political killings that are systematic and invasive are involved, this could indicate a real fracture in the democratic system. Th...
Games and Play in the Theater of Spanish American Women
In the seventeen dramatic texts examined in this study, women writers from Spanish America have self-consciously incorporated games into their plays' structures to highlight from a woman's perspective the idea that life, as well as the theatre, is a game. Some dramas are so overtly about games that the word appears significantly in their titles. Others reflect game playing in less direct ways or connect metatheatrical examinations of role-playing to the ludic. In every drama examined, however, a game of some sort plays a key role in the construction of the playtest. By looking at the nature and number of the games played in these women-authored dramas from the past fifty years, we can see the ways in which play is used to effect social control and the connections between play and aggression, gender, history and politics. In these representative dramas, the theatre serves as a vehicle for encouraging audiences to think about (if not act upon) the issues that have shaped Spanish America. Games, rules, winners and losers join together as the playwrights explore events and times of fundamental importance in the countries' historical and political evolutions.
Women as Creators and Subjects Across Disciplines and Cultures
This book crosses multiple world cultures as the chapters highlight both women as creators (by) and women as subjects (about). Chapter topics address widely varying socio-cultural facets of multi-cultures from various historical, sociological, artistic and literary perspectives. The title, Women as Creators and Subjects, in that order, summarizes the content of the book, which begins with commentary on women as creators and moves to elucidating about women to establish a framework. Themes range from power and politics in regards to Aztec women’s bodies, roles of historical indigenous, Spanish, Latin America, and Latinx women, and female participation in development efforts in the Global South of studio art, i.e., visual representations of women by women, as well as of female muses for male artists—and critical articles about all manner of works and genres literally by a litany of women artists and writers, both in literature and film, as well as women as represented in works by males, all from across the Middle East, Global South, Europe and the Americas.
The Guadalupan Controversies in Mexico
This is the first and only comprehensive work to deal with a relatively unknown facet of Mexican social and religious history, the debates over the historicity of the Guadalupe apparitions and the historical existence of Juan Diego.
A Companion to Modern Spanish American Fiction
With such figures as Jorge Luis Borges, Miguel ngel Asturias and Gabriel Garc a M rquez (both the latter Nobel Prizewinners) Spanish American fiction is now unquestionably an integral part of the mainstream of Western literature. This book draws on the most recent research in describing the origins and development of narrative in Spanish America during the nineteenth and twentieth centuries, tracing the pattern from Romanticism and Realism, through Modernismo, Naturalism and Regionalism to the Boom and beyond. It shows how, while seldom moving completely away from satire, social criticism and protest, Spanish American fiction has evolved through successive phases in which both the conceptions of the writer's task and presumptions about narrative and reality have undergone radical alterations. DONALD SHAW holds the Brown Forman Chair of Spanish American literature in the University of Virginia.
Made in Latin America
Made in Latin America serves as a comprehensive introduction to the history, sociology, and musicology of contemporary Latin American popular music. Each essay, written by a leading scholar of Latin American music, covers the major figures, styles, and social contexts of popular music in Latin America and provides adequate context so readers understand why the figure or genre under discussion is of lasting significance. The book first presents a general description of the history and background of popular music, followed by essays organized into thematic sections: Theoretical Issues; Transnational Scenes; Local and National Scenes; Class, Identity, and Politics; and Gendered Scenes.
