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The Man Who Believed He Was King of France
Replete with shady merchants, scoundrels, hungry mercenaries, scheming nobles, and maneuvering cardinals, The Man Who Believed He Was King of France proves the adage that truth is often stranger than fiction—or at least as entertaining. The setting of this improbable but beguiling tale is 1354 and the Hundred Years’ War being waged for control of France. Seeing an opportunity for political and material gain, the demagogic dictator of Rome tells Giannino di Guccio that he is in fact the lost heir to Louis X, allegedly switched at birth with the son of a Tuscan merchant. Once convinced of his birthright, Giannino claims for himself the name Jean I, king of France, and sets out on a brave...
A Sociable Moment
A Sociable Moment is the first book to examine the rise of opera in Siena during the Baroque. It focuses both on opera as a manifestation of civic self-fashioning and sociability, especially in pastoral works promoted by the expatriate Chigi family, and opera as business under the impresario Girolamo Gigli.
The Duke's Assassin
Stefano Dall’Aglio sheds new light on the notorious Florentine Lorenzino de’ Medici (also known as Lorenzaccio) and on two of the most infamous assassinations in Italian Renaissance history. In 1537 Lorenzino changed the course of history by murdering Alessandro de’ Medici, first duke of Florence, and paving the way for the accession of the new duke, Cosimo I. In 1548 Lorenzino was killed in Venice in revenge for the assassination. The events surrounding these murders, which Dall’Aglio reconstructs, involved the Medici, their loyalists, Florentine republican exiles, and some of the most powerful sovereigns of the time. The first publication in a century to examine the life of Lorenzino de’ Medici, and the first work in English, this fascinating revisionist history is based on extensive research in the historical archives of Florence and Simancas. The tale is as gripping as a detective novel, as Dall’Aglio unravels a 500-year-old mystery, revealing who was behind the bloody death of the duke’s assassin: the emperor Charles V.
The Sword and the Pen
In The Sword and the Pen: Women, Politics, and Poetry in Sixteenth-Century Siena, Konrad Eisenbichler analyzes the work of Sienese women poets, in particular, Aurelia Petrucci, Laudomia Forteguerri, and Virginia Salvi, during the first half of the sixteenth century up to the fall of Siena in 1555. Eisenbichler sets forth a complex and original interpretation of the experiences of these three educated noblewomen and their contributions to contemporary culture in Siena by looking at the emergence of a new lyric tradition and the sonnets they exchanged among themselves and with their male contemporaries. Through the analysis of their poems and various book dedications to them, Eisenbichler reve...
Garrisoning the Borderlands of Medieval Siena
Through a close study of local demographies and topographies, this study considers patterns of piety, charity and patronage, and by extension, the development of art and architecture in Siena's southern contado during the thirteenth and fourteenth centuries. Garrisoning the Borderlands of Medieval Siena describes Sant'Angelo in Colle as a designated 'castello di frontiera' under the Sienese Government of the Nine (1287-1355), against the background of Siena's military and economic buoyancy during the early fourteenth century. At the same time, mining thoroughly the Tax Record of 1320 and the Boundary Registration of 1318 and presenting a large number of individual records that have not been ...
Barons and Castellans
The military nobility – "signori di castelli", lords of castles – formed an important component of the society of Renaissance Italy, although they have often been disregarded by historians, or treated as an anomaly. In Barons and Castellans: The Military Nobility of Renaissance Italy, Christine Shaw provides the first comparative study of “lords of castles”, great and small, throughout Italy, examining their military and political significance, and how their roles changed during the Italian Wars. Her main focus is on their military resources and how they deployed them in public and private wars, in pursuit of their own interests and in the service of others, and on how their military weight affected their political standing and influence.
Handbook of Medieval Studies
This interdisciplinary handbook provides extensive information about research in medieval studies and its most important results over the last decades. The handbook is a reference work which enables the readers to quickly and purposely gain insight into the important research discussions and to inform themselves about the current status of research in the field. The handbook consists of four parts. The first, large section offers articles on all of the main disciplines and discussions of the field. The second section presents articles on the key concepts of modern medieval studies and the debates therein. The third section is a lexicon of the most important text genres of the Middle Ages. The fourth section provides an international bio-bibliographical lexicon of the most prominent medievalists in all disciplines. A comprehensive bibliography rounds off the compendium. The result is a reference work which exhaustively documents the current status of research in medieval studies and brings the disciplines and experts of the field together.
Receptions of Antiquity, Constructions of Gender in European Art, 1300-1600
Receptions of Antiquity, Constructions of Gender in European Art, 1300-1600 presents scholarship in classical reception at its nexus with art history and gender studies. It considers the ways that artists, patrons, collectors, and viewers in late medieval and early modern Europe used ancient Greek and Roman art, texts, myths, and history to interact with and shape notions of gender. The essays examine Giotto's Arena Chapel frescoes, Michelangelo's Medici Chapel personifications, Giulio Romano's decoration of the Palazzo del Te, and other famous and lesser-known sculptures, paintings, engravings, book illustrations, and domestic objects as well as displays of ancient art. Visual responses to antiquity in this era, the volume demonstrates, bore a complex and significant relationship to the construction of, and challenges to, contemporary gender norms.
A Cultural Symbiosis
The history of the Florentine patriciate did not end with the establishment of the Medici Duchy and Grand Duchy of Tuscany. Proud and self-confident, these patricians were not subservient courtiers; on the contrary, they continued to exert a considerable influence on Florentine culture and politics for centuries. The patrician class in sixteenth-century Florence were the descendants of wealthy, sophisticated and politically savvy families who, while acquiring noble titles, estates, and villas, retained their long-standing urban identity. The mark they left on the city’s cultural and artistic life was embraced by the Medici, who used their political and diplomatic knowhow, eleborate artistic commissions, and European networks to enhance their power and prestige. A Cultural Symbiosis highlights the contributions to Florentine art and culture of eight patricians, focusing on the Valori, Pucci, Ridolfi, Vecchietti, del Nero, Salviati, Guicciardini, and Niccolini families.
