Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
An Illustrated History of Interior Decoration
The appeal of this extraordinary book lies in its rapt obsession with the details of the domestic interior, borne out in a wonderfully rich collection of pictures. These charming paintings and watercolors, mostly dating from 1770 to 1860 and coming from all over Europe, Russia, and America, record with faithful accuracy the shape of a room, the pattern of a carpet, the furniture, pictures, fabrics, and wall coverings, the hang of the curtains and the fall of the light they admit. The pictures find their place in a complete survey of domestic—and some more palatial—interiors portrayed in art from the ancient world to the late nineteenth century, and including works by Vermeer, Hogarth, Durer, Degas, and Vuillard. The text goes beyond scholarly commentary to present an evolving picture of men and women in relation to domestic surroundings, full of human interest, wit, and wide-ranging cultural references.
Mario Praz: Voice Centre Stage
The volume investigates Mario Praz's work from intercultural and interdisciplinary approaches. It considers Praz's writings on comparative literature, design, history of art and culture, collecting, intermedial studies, translation, journalism, travelling and autobiography. It explores his enthusiasm for the eccentric, the erotic and the macabre.
The Romantic Agony
Mario Paz has, in the Romantic Agony, acutely analyzed the effect of the traditions of Byron and De Sade upon poets and painters from 1800 to 1900. It is the analysis of a mood in literature. The mood may ve been transient, but it was widespread, and it was expressed in dreams of "luxurious cruelties," "fatal women," corpse-passions, and the sinful agonies of delight. Professo Praz has described the whole Romantic literature under one of its most characteristic aspects, that of erotic sensibility.
Mnemosyne
The classic study of the timeless relationship between literature and the visual arts In his search for a common link between literature and the visual arts, Mario Praz draws on the abundant evidence of mutual understanding and correspondence they have long shared. Praz explains that within literature, each epoch has “its peculiar handwriting or handwritings, which, if one could interpret them, would reveal a character, even a physical appearance,” and while these characteristics belong to the general style of a given period, the personality of the writer does not fail to pierce through. Praz contends that something similar occurs in art. He shows how the likeness between the arts within various periods of history can ultimately be traced to structural similarities that arise out of the characteristic way in which the people of a certain epoch see and memorize facts aesthetically. Mnemosyne, at once the goddess of memory and the mother of the muses, presides over this view of the arts. In illustrating her influence, Praz ranges widely through Western sources, providing an incomparable tour of the literary and pictorial arts.
The House of Life
None
On Neoclassicism
None
Occult Paris
How fin-de-siècle Paris became the locus for the most intense revival of magical practices and doctrines since the Renaissance • Examines the remarkable lives of occult practitioners Joséphin Peladan, Papus, Stanislas de Guaïta, Saint-Yves d’Alveydre, Jules Doinel, and others • Reveals how occult activity deeply influenced many well-known cultural movements, such as Symbolism, the Decadents, modern music, and the “psychedelic 60s” During Paris’s Belle Époque (1871-1914), many cultural movements and artistic styles flourished--Symbolism, Impressionism, Art Nouveau, the Decadents--all of which profoundly shaped modern culture. Inseparable from this cultural advancement was the ...
Conversation Pieces
Professor Praz traces the history of the conversation piece which is am intimate group portrait usually of small dimensions and is a genre which arose in the Low countries, flourished in 18th-century England, and declined with the invention of photography.
S.T. Coleridge
Coleridge Was One Of The Few Harbingers Of Romanticism In England, And The Enunciator Of Psychological Criticism. One Will Certainly Miss English Romanticism Of About 150 Years, If He Does Not Interest Himself In Coleridge. One Of The Most Loving And Suffering Souls Of English Literature, Coleridge Was Not Only A Great Poet Of The Supernatural, But Also A Great Critic And Prosodist.In This Book, The Objective Of The Author Has Been To Present Coleridge In His Essentials (As The Content Of The Book May Show), Against The Back-Drop Of English Romanticism, In Plain Terms And Without Any Presumptions. Seventeen Select Poems Of The Poet Have Been Discussed, To Some Extent Threadbare, And The Texts Of Those Poems Have Been Given For Facility.
