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Home/Land: Women, Citizenship, Photographies demonstrates how women have used photographic practices to find places for themselves to belong as citizens, denizens, exiles or guests, within or beyond the nation as currently conceived.
In this pioneering study, Marion Arnold explores the connections, hitherto hidden or neglected, between women and art in South Africa. By doing so, she recovers the rich histories of South African women artists and celebrates their creativity in the visual arts. In a series of related essays teeming with fresh insights, Marion Arnold asks new questions about the ways women have portrayed themselves, depicted landscapes, painted images of plants and sculpted the body. She examines, too, portraits of women (both black and white) in service and the long history of representations (usually by men) of the female 'other'. Throughout the book, the connections Marion Arnold makes between ideas, artists and their works are always illuminating and often unexpected. Here are not only familiar names viewed afresh - such as Maggie Laubser, Irma Stern, Helen Sebidi and Jane Alexander - but lesser-known artists who are rediscovered and brought to life.
Through several centuries, the interacting influence of botanical artists and scientists has largely escaped interpretation. Although flower paintings are viewed in galleries and analytical plant drawings are stored in herbaria or museums, artists and scientists have long enriched each other's worlds. In metaphorically 'peeling back the petals', this book explores plant portraiture and the context of its visibility in order to discover the meanings ascribed to different forms of botanical imagery. The authors' texts are enhanced and liberally illustrated by works of some of the countless travellers, botanists and artists who have so passionately and meticulously recorded South Africa's rich floral heritage. Also included is a Concise Dictionary of South African Botanical Artists, the first to be compiled and published, offering a succinct listing with over 250 entries.
Reprint of the original, first published in 1881.