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I-Media-Cities. Innovative e-Environment for Research on Cities and the Media presents the results of an innovative project undertaken by the film archives of Athens, Barcelona, Bologna, Brussels, Copenhagen, Stockholm, Frankfurt, Turin and Vienna, in conjunction with several leading research centres and technological innovators. Together they have developed a digital platform for viewing a wide range of images and motion pictures. More than 1,000 films dating from 1890 to 1989 have been incorporated in the platform, expressly selected to give the project coherence and meaning. Each city is represented both singularly and generally, revealing similarities and differences between them. The producers, actors, directors, places, people, and historical, social and political events are listed to facilitate analysis in areas such as sociology, urban anthropology, town planning, and architectural history, among others. The objective is to propose a new way of disseminating film collections, bringing them to a wider public, and stimulating research into cities in the fields of the humanities.
"Though many archival digital objects were not "born digital," film archives are now becoming important resources for digital scholarship as a consequence of digitization. Moreover, with advancements in digital research methods involving video annotation, visual analysis, and GIS affecting the way we look at archival films' material, stylistic histories and circulation, new research practices are more important than ever. Visualizing Film History is an accessible introduction to archive-based digital scholarship in film and media studies and beyond. With a combined focus on the history of film historiography, archiving, and recent digital scholarship-covering a period from the "first wave" o...
This new book catalogues some 215 prominent film directors from both countries, giving accurate bio-filmographies and providing an in-depth reference source. Full attention is given to the propaganda cinema under dictators Franco and Salazar, to film-makers who left to work abroad--especially in Latin America--and to those filming in the regional languages (mainly Basque and Catalan). There is coverage not only of internationally well-known figures Almodovar, Bunuel, Oliveira, and Saura, but also across the complete range of feature, documentary, and animation film-making: early pioneers Segundo de Chomon, Catalans Jose Maria Codina, Fructuoso Gelabert, and Magi Muria, and Portuguese Aurelio...
One of the greatest collaborations of cinema history, L'Âge d'Or(1930) united the geniuses of Luis Buñuel and Salvador Dali in the making of a Surrealist masterpiece - a uniquely savage blend of visual poetry and social criticism. The film was banned and vilified for many years in many countries, becoming justly legendary for its subversive eroticism and its furious dissection of 'civilised' values. In a remarkable, intuitive reading of L'Âge d'Or, Paul Hammond interweaves a detailed account of the extraordinary circumstances of its production with a dazzling interpretation of its aesthetic and political nuances. At once authoritative and polemical, this is a study entirely in tune with its subject, a fitting celebration of a major landmark in world cinema.
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Alice Guy Blaché was the first woman to produce & direct motion pictures, first in Paris for Gaumont & later in the US, where she founded her own company. this volume celebrates her achievements as a pioneer of motion picture techniques & technologies.