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Silver Treasures from the Land of Sheba
The first illustrated study of ethnic silver jewelry in Yemen, by an expert researcher and collector Silver Treasures from the Land of Sheba documents a disappearing artistic and cultural tradition with over three hundred photographs showing individual pieces, rare images of women wearing their jewelry with traditional dress, and the various regions in Yemen where the author did her field research. Ransom’s descriptions of the people she met and befriended, and her exploration of the significance of a woman’s handmade jewelry with its attributes of power, protection, beauty, and personal identity, will appeal to ethnic jewelry fans, ethnographers, jewelry designers, and art historians. A...
My Encounter With Ordinary Women Who Led Extraordinary Lives
I have known-been blessed to have known many wondrous women in my life-women of color- ordinary women by most standards-born to humble circumstances-who achieved extraordinary things given the obstacles of race, gender, class, and male chauvinism they faced as women of color in an often hostile society. Those written of here are generally of the same age group, and although of different backgrounds, the similarities in their heritage binds them together. Their longevity was in itself, a testimony to their will. I would also argue that their struggles to make ends meet, and the contributions of the men (for good or bad) in their lives, are analogous to most people I have known in my lifetime. History supports, that these women, are also representative of people of color since they first made contact with persons of European descent. As individuals and as a people still under duress, from within and without, we need to take to heart the gift these women have given us by their willingness to open up, to share their lives with us so that we may learn from them, as they have learned from others who came before them.
Silver Speaks
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US Foreign Service Women in the Middle East and Islamic North Africa, 1945–2001
Focusing on the attitudes and experiences of American female diplomats and spouses, this book examines the social, political, and cultural dimensions of American interactions with the Middle East and North Africa in the five decades after the Second World War. A turbulent period, marked by conflicts associated with the Cold War and decolonization, it was also characterized by changing attitudes to women at odds with those in Moslem societies. The impact of those changes is explored throughout this book, principally drawing on personal oral histories included in the 'Frontline Diplomacy' collection, but reinforced by cables passing between regional U.S. embassies and the State Department in Washington DC.
Vanishing Beauty
This book commemorates the remarkable gift of over 400 works from the collection of Barbara and David Kipper to the Art Institute of Chicago. These outstanding pieces of jewelry and ritual objects offer a material record of vanishing ways of life. Used as portable forms of wealth, as personal adornment, and in religious practice, they represent a broad spectrum of cultures. The majority comes from the Himalayan region, including Tibet, Nepal, Bhutan, and Mongolia, and other pieces hail from Afghanistan, China, India, Indonesia, Kazakhstan, Pakistan, Turkmenistan, and Uzbekistan. The catalogue showcases stunning works--including delicate amulet boxes, other Tibetan Buddhist artifacts, and ornate Turkmen jewelry--through dramatic photography undertaken specifically for this publication. With five essays placing the objects in the contexts of their native regions, Vanishing Beauty offers a beautiful presentation of creativity and craftsmanship from across Asia.
On Her Own Ground
Soon to be a Netflix series starring Octavia Spencer, On Her Own Ground is the first full-scale biography of “one of the great success stories of American history” (The Philadelphia Inquirer), Madam C.J. Walker—the legendary African American entrepreneur and philanthropist—by her great-great-granddaughter, A’Lelia Bundles. The daughter of formerly enslaved parents, Sarah Breedlove—who would become known as Madam C. J. Walker—was orphaned at seven, married at fourteen, and widowed at twenty. She spent the better part of the next two decades laboring as a washerwoman for $1.50 a week. Then—with the discovery of a revolutionary hair care formula for black women—everything changed. By her death in 1919, Walker managed to overcome astonishing odds: building a storied beauty empire from the ground up, amassing wealth unprecedented among black women, and devoting her life to philanthropy and social activism. Along the way, she formed friendships with great early-twentieth-century political figures such as Ida B. Wells, Mary McLeod Bethune, W.E.B. Du Bois, and Booker T. Washington.
Dark Matter
A terrifying 1930s ghost story set in the haunting wilderness of the far north. January 1937. Clouds of war are gathering over a fogbound London. Twenty-eight year old Jack is poor, lonely and desperate to change his life. So when he's offered the chance to join an Arctic expedition, he jumps at it. Spirits are high as the ship leaves Norway: five men and eight huskies, crossing the Barents Sea by the light of the midnight sun. At last they reach the remote, uninhabited bay where they will camp for the next year. Gruhuken. But the Arctic summer is brief. As night returns to claim the land, Jack feels a creeping unease. One by one, his companions are forced to leave. He faces a stark choice. Stay or go. Soon he will see the last of the sun, as the polar night engulfs the camp in months of darkness. Soon he will reach the point of no return - when the sea will freeze, making escape impossible. And Gruhuken is not uninhabited. Jack is not alone. Something walks there in the dark...
Legislative Calendar
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Dissident Syria
From 1970 until his death in 2000, Hafiz Asad ruled Syria with an iron fist. His regime controlled every aspect of daily life. Seeking to preempt popular unrest, Asad sometimes facilitated the expression of anti-government sentiment by appropriating the work of artists and writers, turning works of protest into official agitprop. Syrian dissidents were forced to negotiate between the desire to genuinely criticize the authoritarian regime, the risk to their own safety and security that such criticism would invite, and the fear that their work would be co-opted as government propaganda, as what miriam cooke calls “commissioned criticism.” In this intimate account of dissidence in Asad’s ...
