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Animation in Context
"Animation in Context" is an illustrated introduction to contextual research and analysis. Designed to make academic language more accessible, it empowers animators with the confidence and enthusiasm to engage with theory as a fun, integral, and applied part of the creative process. Mark Collington focuses on a core selection of theoretical approaches that shape animation narrative and visual storytelling, supported by a broader set of shared theoretical principles from the worlds of art, design, film and media studies. This discourse is underpinned by cross-disciplinary thinking on a range of topics including genre, humor, montage and propaganda. These are applied to the analysis of a range of animated films and projects from Disney and Anime, to independent artist-filmmakers such as Wendy Tilby, Amanda Forbis and Jerzy Kucia. These ideas are also applied to other uses of animation such as advertising, gaming and animated documentary. Interviews with contemporary industry professionals, academics and student case studies, as well as a range of practical research exercises, combine to encourage a more versatile approach to animation practice."
Animation in Context
Animation in Context is an illustrated introduction to cultural theory, contextual research and critical analysis. By making academic language more accessible, it empowers animators with the confidence and enthusiasm to engage with theory as a fun, integral, and applied part of the creative process. Interviews with contemporary industry professionals and academics, student case studies and a range of practical research exercises, combine to encourage a more versatile approach to animation practice – from creating storyboards to set designs and soundtracks; as well as developing virals, 3D zoetropes and projection mapping visuals. Mark Collington focuses on a core selection of theoretical a...
Spooked
Investigating haunted buildings with New Zealand's very own ghost hunters. Are the dead really all around us, treading the boards of theatres, pacing the corridors of prisons, or terrifying the occupants of scary old houses? Or are ghosts just in the mind of those who think they've seen them? What is ectoplasm? And can you really photograph a ghost? Join New Zealand paranormal investigators Strange Occurrences as they search for the truth behind the dark stories of some of the country's most infamous haunted sites, as well as some of its lesser known ones. In their quest for clues about the nature of ghosts, the team has travelled the length and breadth of New Zealand to meet mediums, psychi...
The Kercher Reports
If ordering the Special Set of The Kercher Reports and Dowling Select Cases, you need only Add to Trolley one of the titles, add your promotion code and the special price will be shown on the Payment page of your order. This book reports the earliest court decisions in Australia. It includes transcriptions of and extensive commentary on many of the case records of the New South Wales superior courts during the colony's first forty years, 1788-1827. These were years of famine, of battles with indigenous people, of convict rebellions, of the beginnings of bushranging and even of the only military coup in Australian history. Law was at the centre of all of this. Trade developed rapidly and with...
Optical Engineering
Publishes papers reporting on research and development in optical science and engineering and the practical applications of known optical science, engineering, and technology.
Love in the Post: From Plato to Derrida
Love in the Post (2013) is inspired by Jacques Derrida’s book The Post Card. Like the book, the film plays with fact and fiction, weaving together the stories of a scholar of literature and a film director, alongside insights from critics and philosophers. Theo Marks works in a university department that is soon to be closed. His wife Sophie, enigmatic and distant, is in analysis. Filmmaker Joanna struggles to make a film about The Post Card. These people are set on a collision course prompted by a series of letters that will change their lives. The film features a never before seen interview with Derrida, alongside contributions from Geoff Bennington, Ellen Burt, Catherin Malabou, J. Hillis Miller and Samuel Weber. Alongside the original screenplay, Martin McQuillan provides an extended commentary on Derrida’s original text, the film and its making. Joanna Callaghan reflects on her practice as a filmmaker and her engagement with philosophy as a director. The volume concludes with interviews between McQuillan and five leading Derrida scholars.
Lyra
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