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William Levi Dawson (1899–1990) overcame adversity and Jim Crow racism to become a nationally recognized composer, choral arranger, conductor, and professor of music. In William Levi Dawson: American Music Educator, Mark Hugh Malone tells the fascinating tale of Dawson’s early life, quest for education, rise to success at the Tuskegee Institute, achievement of national notoriety as a composer, and retirement years spent conducting choirs throughout the US and world. From his days as a student at Tuskegee in the final years of Booker T. Washington’s presidency, Dawson continually pursued education in music, despite racial barriers to college admission. Returning to Tuskegee later in lif...
William L. Dawson is recognized for his genre-defining choral spirituals and for his Negro Folk Symphony, a masterpiece enjoying a twenty-first-century renaissance. Gwynne Kuhner Brown’s engaging and tirelessly researched biography reintroduces a musical leader whose legacy is more important today than ever. Born in 1899, Dawson studied at the Tuskegee Institute in Alabama. He worked as a church, jazz, and orchestral musician in Kansas City and Chicago in the 1920s while continuing his education as a composer. He then joined the Tuskegee faculty, where for 25 years he led the Tuskegee Institute Choir to national prominence through performances of spirituals at the opening of Radio City Music Hall, on radio and television, and at the White House. The Philadelphia Orchestra conducted by Leopold Stokowski premiered Dawson’s Negro Folk Symphony in 1934. Engaging and long overdue, William L. Dawson celebrates a pioneering Black composer whose contributions to African American music, history, and education inspire performers and audiences to this day.
A New Perspective for the Use of Dialect in African American Spirituals: History, Context, and Linguistics investigates the use of the African American English (AAE) dialect in the musical genre of the spiritual. Perfect for conductors and performers alike, this book traces the history of the dialect, its use in early performance practice, and the sociolinguistic impact of the AAE dialect in the United States. Felicia Barber explores AAE’s development during the African Diaspora and its correlations with Southern States White English (SSWE) and examines the dialect’s perception and how its weaponization has impacted the performance of the genre itself. She provides a synopsis of research...
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"Southern music has flourished as a meeting ground for the traditions of West African and European peoples, leading to the evolution of various traditional folk genres, bluegrass, country, jazz, gospel, rock, blues, and southern hip-hop. This much-anticipated volume in The New Encyclopedia of Southern Culture celebrates an essential element of southern life and makes available for the first time a stand-alone reference to the music and music makers of the American South"--Back cover.
American Composer Zenobia Powell Perry: Race & Gender in the 20th Century profiles this woman who faced tremendous challenges as a female, an African American and as a woman of mixed heritage. Perry's life provides insight to a special moment in the 1920s and '30s when black American composers were finally being recognized for their unique contributions to the country's music.
This biography of the iconic blues musician features interviews with family members, fellow musicians, and those who knew his best. Born on a cotton plantation in 1925, Riley B. King would grow up to be one of the most influential blues musicians of all time, being crowned “The King of the Blues.” Never wavering from his vocation, King gathered other musicians together and melded them into the unique blues sound that would become his signature. In this intimate portrait of B. B. King, author Diane Williams offers a brief account of the monumental blues man's life before settling in for a series of interviews with his bandmates and beloved family members. The Life and Legacy of B. B. King offers an intimate view of the man behind the music.