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If there's a bad idea in Tugalo County, chances are that Mack and Marshall Dooley are behind it. When the brothers heist a snake-handling church's money-laundering operation, things go south in a hurry. This part of the north Georgia hills ain't much, just hardscrabble folks trying to get by. It's the perfect place to wash a load of cash -- and an even better place to make your enemies disappear. When Mack goes missing, Marshall cuts a deal with a local crime boss to rescue his brother. Navigating a storm of wild women and a literal nest of vipers, the Dooleys can't trust anyone other than themselves to get out of the mess they've made. Praise for A VIOLENT GOSPEL: "Let me be the first to si...
Turn on any classic rock station, and you’ll hear Southern Rock tunes that will make you stomp your foot and sing along to. The hard-rocking pioneers of the genre left behind a legacy of hard living that endures today. The stories in Trouble No More celebrate those pioneers. Find ramblers, gamblers, swindlers, and double-dealers within these pages, all striving to survive more than the Southern humidity. The authors bring the rough living of the Southern Rock genre to the page, and communicate the ache of the blues. There are twenty-two stories of heartbreak, murder, robbery, and barnyard brawls. Edited by Mark Westmoreland with stories by Bill Baber, C.W. Blackwell, Jerry Bloomfield, S.A. Cosby, Nikki Dolson, Michel Lee Garrett, James D.F. Hannah, Curtis Ippolito, Jessica Laine, Brodie Lowe, Bobby Mathews, Brian Panowich, Rob Pierce, Joey R. Poole, Raquel V. Reyes, Michael Farris Smith, J.B. Stevens, Chris Swann, Art Taylor, N.B. Turner and Joseph S. Walker.
Visual Research: A Concise Introduction to Thinking Visually 2nd Edition provides an accessible introduction to doing visual research in the social sciences. Beginning with ethical considerations, this book highlights the importance of thinking visually before engaging in visual research. Further themes involve creating, organizing, and using images and are presented so as to help readers think about and work with their own visual data. This fully updated second edition includes new case studies, updated discussions regarding the ethics of social media and online content, new technology and an expansion to include new material on museum, public and applied work. Concise and highly focused, Visual Research is an invaluable resource for visual, media, and communications students and researchers and others interested in visual research in the social sciences.
Identifies and describes specific government assistance opportunities such as loans, grants, counseling, and procurement contracts available under many agencies and programs.
The Encyclopedia of the Documentary Film is a fully international reference work on the history of the documentary film from the Lumière brothers' Workers Leaving the Lumière Factory (1885) to Michael Moore's Fahrenheit 911 (2004). This Encyclopedia provides a resource that critically analyzes that history in all its aspects. Not only does this Encyclopedia examine individual films and the careers of individual film makers, it also provides overview articles of national and regional documentary film history. It explains concepts and themes in the study of documentary film, the techniques used in making films, and the institutions that support their production, appreciation, and preservation.
Reprint of the original, first published in 1840.
Within the Western tradition, it was the philosophers Henri Bergson and Max Scheler who laid out and explored the nonrational power of "intuition" at work in human beings that plays a key role in orienting their thinking and action within the world. As author Adriana Alfaro Altamirano notes, Bergon's and Scheler's philosophical explorations, which paralleled similar developments by other modernist writers, artists, and political actors of the early twentieth century, can yield fruitful insights into the ideas and passions that animate politics in our own time. The Belief in Intuition shows that intuition (as Bergson and Scheler understood it) leads, first and foremost, to a conception of fre...