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The Marshalsea became a byword for misery; in the words of one of its inmates, it was hell in epitome. But the prison was also a microcosm of London life and it housed a colourful range of characters, including Charles Dickens's father. This book introduces us to the Marshalsea's unfortunate prisoners, rich and poor; men and women; spongers, fraudsters and innocents. We get to know the trumpeter John Grano who wined and dined with the prison governor and continued to compose music whilst other prisoners were tortured and starved to death. We meet the bare-knuckle fighter known as the Bold Smuggler, who fell on hard times after being beaten by the Chelsea Snob. And then there's Joshua Reeve Lowe, who saved Queen Victoria from assassination in Hyde Park in 1820, but whose heroism couldn't save him from the Marshalsea. Told through these extraordinary lives, This book gives us a fascinating and unforgettable cross-section of London life from the early 1700s to the 1840s.
The first thrilling historical crime novel starring Thomas Hawkins, a rakish scoundel with a heart of gold, set in the darkest debtors' prison in Georgian London, where people fall dead as quickly as they fall in love and no one is as they seem.
For Londoners of the eighteenth and nineteenth centuries, debt was a part of everyday life. But when your creditors lost their patience, you might be thrown into one of the capital’s most notorious jails: the Marshalsea Debtors’ Prison. In Mansions of Misery, acclaimed chronicler of the capital Jerry White introduces us to the Marshalsea’s unfortunate prisoners – rich and poor; men and women; spongers, fraudsters and innocents. We get to know the trumpeter John Grano who wined and dined with the prison governor and continued to compose music whilst other prisoners were tortured and starved to death. We meet the bare-knuckle fighter known as the Bold Smuggler, who fell on hard times after being beaten by the Chelsea Snob. And then there’s Joshua Reeve Lowe, who saved Queen Victoria from assassination in Hyde Park in 1820, but whose heroism couldn’t save him from the Marshalsea. Told through these extraordinary lives, Mansions of Misery gives us a fascinating and unforgettable cross-section of London life from the early 1700s to the 1840s.
For ordinary Londoners debt was part of everyday life. The poor depended on credit from shopkeepers and landlords to survive, but the better-off too were often deep in debt to finance their more comfortable, even luxurious lifestyle. When creditors lost their patience both rich and poor Londoners could be thrown into one the capital’s debtors’ prisons where they might linger for years. The most notorious of them was the Marshalsea. In the eighteenth century, the Marshalsea became a byword for misery; in the words of one of its inmates, it was ‘hell in epitome’. In 1729 a parliamentary committee of enquiry found that prisoners had been deliberately starved to extort fees from them an...
Vic Keegan's Lost London (2) is the second of two books that together have taken over six years of research and are still yielding surprises Vic had no idea that the mundane Highbury and Islington station used to look like an Italian Palazzo before being shamefully pull down, nor that there was an extraordinary cricket match in Walworth between a team from Greenwich with only one leg and the other from Chelsea with only one arm, nor that in 1810, a black bare knuckle fighter was swindled out of being world champion by white subterfuge. There are dozens of similar tales which he hopes you will enjoy. The author spent most of his working life at the Guardian writing among other things a fortnightly economics column for nearly 25 years before finishing off with a weekly column on consumer technology ranging from mobile phones to virtual worlds. He has written six poetry books including London My London with over 80 poems about the capital and the Thames. He is married to Rosie with two children Dan and Chris. David Aaronovitch's review of the first book is here: https: //www.onlondon.co.uk/book-review-vic-keegans-lost-london/
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As for many of Dickens' novels, highlighting social injustices is at the heart of Little Dorrit. His father was imprisoned for debt, and Dickens' shines a spotlight on the fate of many who are unable to repay a debt when the ability to seek work is denied. Amy Dorrit is the youngest daughter of a man imprisoned for debt and is working as a seamstress for Mrs Clennam when Arthur Clennam crosses her path. Will the sweet natured Amy win Arthur's heart? And will they ever escape the shadow of debtors' prison?
Catherine Hogarth, who came from a cultured Scots family, married Charles Dickens in 1836, the same year he began serializing his first novel. Together they traveled widely, entertained frequently, and raised ten children. In 1858, the celebrated writer pressured Catherine to leave their home, unjustly alleging that she was mentally disordered-unfit and unloved as wife and mother. Constructing a plotline nearly as powerful as his stories of Scrooge and Little Nell, Dickens created the image of his wife as a depressed and uninteresting figure, using two of her three sisters against her, by measuring her presumed weaknesses against their strengths. This self-serving fiction is still widely acc...