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Common Culture and the Ideology of Difference in Medieval and Contemporary Poland
Teresa Pac provides a much-needed contribution to the discussion on shared culture as foundational to societal survival. Through the examination of common culture as a process in medieval Kraków, Poznań, and Lublin, Pac challenges the ideology of difference—institutional, religious, ethnic, and nationalistic. Similarly, Pac maintains, twenty-first century Polish leaders utilize anachronistic approaches in the invention of Polish Catholic identity to counteract the country’s increasing ethnic and religious diversity. As in the medieval period, contemporary Polish political and social elites subscribe to the European Union’s ideology of difference, legitimized by a European Christian heritage, and its intended basis for discrimination against non-Christians and non-white individuals under the auspices of democratic values and minority rights, among which Muslims are a significant target.
Coming of Age Under Martial Law
Examines a selection of post-1989 coming-of-age novels authored by the generation of Polish writers whose transition from adolescence to adulthood coincided with Poland's transition from communism to liberal democracy.
Komedye
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Komedije
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Beyond the Wall
1980: the Cold War between capitalist West and socialist East is in full swing. Tensions are high but, at the academic level, some channels of useful exchange remain open. The author and two classmates would join one such program linking a leading American university and its counterpart in Poland. They travel to Warsaw here by car and, in addition to attending classes, travel far and wide within the country as well as to several of the neighbors in the socialist bloc where the Soviet Union called all the shots. They drive across the USSR and visit the Berlin Wall, the symbol of the division of Europe. Throughout, Marco took detailed notes of what they saw and heard. Almost four decades later...
Komedye
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Polish Modernism and Jewish Identity
"This book uncovers the changing artistic landscape of Poland between the 1920s and 1950s, through the work of Jewish-Polish painter and Holocaust survivor, Henryk Streng (Marek Wlodarski) (1903-1960). Extraordinary for his aesthetic innovation during the two major traumas of 20th-century European history, the Holocaust and Stalinism, Streng's work disrupted the established notions of 20th-century Polish art, while making the case for an internationalized history of European Modernism - as demonstrated by this book for the first time"--
