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South Asian religious art became codified during the Kuṣāṇa Period (ca. beginning of the 2nd to the mid 3rd century). Yet, to date, neither the chronology nor nature of Kuṣāṇa Art, marked by great diversity, is well understood. The Kuṣāṇa Empire was huge, stretching from Uzbekistan through northern India, and its multicultural artistic expressions became the fountainhead for much of South Asian Art. The premise of this book is that Kuṣāṇa Art achieves greater clarity through analyses of the arts and cultures of the Pre- Kuṣāṇa World, those lands becoming the Empire. Fourteen papers in this book by leading experts on regional topography and connective pathways; interregional, multicultural comparisons; art historical, archaeological, epigraphic, numismatic and textual studies represent the first coordinated effort having this focus.
Due to the frontierization of nation-states, maritime historians have tended to ignore the northern Bay of Bengal. Yet, this marginal region, now dispersed over the four nation-states of India, China, Myanmar and Bangladesh, was not marginal in the past. Until recently, however, historians have concentrated largely on the 'big four': the Gujarat, Malabar, Coromandel and western Bengal coasts. Extreme eastern South Asia -- Bengal and the lands to its north-east fanning into Burma and China, or modern India's north-east and beyond -- is the focus of Pelagic Passageways. This regional unit, including diverse topographic features: plains, forests, estuaries, deltas, rivers, mountains, lakes, pla...
The 21 essays in this volume deal with the language and text of Hebrew corpora from the Second Temple period. They were originally presented at the Eighth International Symposium on the Hebrew of the Dead Sea Scrolls and Ben Sira, held in January 2016 in Jerusalem. Most of the papers focus on the Hebrew of the Dead Sea Scrolls in the light of First and Second Temple Hebrew. A few of the contributions are devoted primarily to the language of Ben Sira, Samaritan Hebrew, and Mishnaic Hebrew. You will find discussions of orthography, phonology, morphology, syntax, lexicon, language contact, and sociolinguistics.
Catalog of Catalogs provides a comprehensive index of nearly 2,300 publications documenting the exhibition of Judaica over the past 140 years. This vast corpus of material, ranging from simple leaflets to scholarly catalogs, contains textual and visual material as yet unmined for the study of Jewish art, religion, culture and history. Through highly-detailed, fully-indexed catalog entries, William Gross, Orly Tzion and Falk Wiesemann elucidate some 2,000 subjects, geographical locations and Judaica objects (ceremonial objects, illuminated manuscripts, printed books, synagogues, cemeteries et al.) addressed in these catalogs. Descriptions of the catalog's bibliographic components, contributors, exhibition history, and contents, all accessible through the volume's five indices, render this volume an unparalleled new resource for the study of Jewish Art, culture and history.
Through analysis of sculptural representations of the Medicine Buddha (J: Yakushi Nyorai), this book offers a fresh perspective on the seminal role played by Saich? and the Tendai school in disseminating this devotional cult throughout Japan during the Heian period.
Animals play crucial roles in Buddhist thought and practice. However, many symbolically or culturally significant animals found in India, where Buddhism originated, do not inhabit China, to which Buddhism spread in the medieval period. In order to adapt Buddhist ideas and imagery to the Chinese context, writers reinterpreted and modified the meanings different creatures possessed. Medieval sources tell stories of monks taming wild tigers, detail rituals for killing snakes, and even address the question of whether a parrot could achieve enlightenment. Huaiyu Chen examines how Buddhist ideas about animals changed and were changed by medieval Chinese culture. He explores the entangled relations...