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Samuel and His God explores the relationship among a prophet, his deity, and their people in 1 Samuel. Marti J. Steussy illumines the vexing elements central to this multifaceted narrative and probes the questions it raises, particularly with regard to the authoritative voice of Samuel, of God as portrayed in this account, of the narrator or narrators, and of the Bible itself. In this sense, Samuel becomes a case study in how the Bible's authors use stories to argue for who may speak for God. Samuel hears the Lord's calling as a boy, becomes a servant to the priest Eli, and later becomes Eli's successor. As a leader of the people of Israel and a conduit for God's message, Samuel is a figure ...
Chalice Introduction to the Old Testament brings together leading scholars to offer a diverse and balanced voice in Old Testament study. The text is organized canonically, for easy use, and gives honest attention to historical and literary matters and theological dimensions of the biblical text. Contributors include: Jon L. Berquist, Claudia V. Camp, Lisa W. Davison, Frank H. Gorman, Jr., Lowell K. Handy, Walter Harrelson, Carolyn Higginbotham, Richard H. Lowery, Samuel Pagán, Dale Patrick, Leo G. Perdue, Raymond F. Person, Jr., Marti J. Steussy, and Mary Donovan Turner.
A collection of essays showing that the postexilic period was an age of robust religious vitality that gave birth to Rabbinic Judaism and early Christianity focuses on the range of religious advances in this time period, from the Sabbath and the synagogue to the vitality of feminine spirituality, wisdom traditions, and apolcalyptic visions, all of which demonstrate the richness of Second Temple Judaism. Original.
Scholars of early Christian literature acknowledge that oral traditions lie behind the New Testament gospels. While the concept of orality is widely accepted, it has not resulted in a corresponding effort to understand the reception of the gospels within their oral milieu. In this book, Kelly Iverson reconsiders the experiential context in which early Christian literature was received and interpreted. He argues that reading and performance are distinguishable media events, and, significantly, that they produce distinctive interpretive experiences for readers and audiences alike. Iverson marshals an array of methodological perspectives demonstrating how performance generates a unique experiential context that shapes and informs the interpretive process. Iverson's study explores the dynamic oral environment in which ancient audiences experienced the gospel stories. He shows why an understanding of oral performance has important implications for the study of the NT, as well as for several issues that are largely unquestioned by biblical scholars.
The story of the woman taken in adultery features a dramatic confrontation between Jesus and the Pharisees over whether the adulteress should be stoned as the law commands. In response, Jesus famously states, “Let him who is without sin be the first to throw a stone at her.” To Cast the First Stone traces the history of this provocative story from its first appearance to its enduring presence today. Likely added to the Gospel of John in the third century, the passage is often held up by modern critics as an example of textual corruption by early Christian scribes and editors, yet a judgment of corruption obscures the warm embrace the story actually received. Jennifer Knust and Tommy Wass...
Many readers are convinced that the Psalms are hopelessly “masculine,” especially given that seventy-three of the 150 psalms begin with headings linking them to King David. In this volume, Denise Dombkowski Hopkins sets stories about women in the Hebrew Bible alongside Psalms 42–89 as “intertexts” for interpretation. The stories of women such as Hannah, Rahab, Tamar, Bathsheba, Susanna, Judith, Shiphrah, Puah, and the Levite’s concubine can generate a different set of associations for psalm metaphors than have traditionally been put forward. These different associations can give the reader different views of the dynamics of power, gender, politics, religion, family, and economics...
The biblical story of King David and his conflict with King Saul (1 and 2 Samuel) is one of the most colorful and perennially popular in the Hebrew Bible. In recent years, this story has attracted a great deal of scholarly attention, much of it devoted to showing that David was a far less heroic character than appears on the surface. Indeed, more than one has painted David as a despicable tyrant. Paul Borgman provides a counter-reading to these studies, through an attentive reading of the narrative patterns of the text. He focuses on one of the key features of ancient Hebrew narrative poetics -- repeated patterns -- taking special note of even the small variations each time a pattern recurs....
"The episodes in 1 and 2 Samuel are striking in their depiction of human characters—priests, soldiers, kings, prophets, and royal advisers—but also significant in how they narrate the central character of this history, the God of Israel. History, in these books, is not simply an accounting of royal intrigue, military battles, and socio-economic struggle but the stage upon which God reveals God's very self. First and Second Samuel relay some of the most memorable vignettes in all Scripture—the call of Samuel, David's battle with Goliath, and David's seizure of Bathsheeba as his wife—and discover in them the hand of God." —from the introduction First and Second Samuel describe the be...
This book provides a multidisciplinary commentary on a wide range of religious traditions and their relationship to acts of violence. Hate and violence occur at every level of human interaction, as do peace and compassion. Scholars of religion have a particular obligation to make sense out of this situation, tracing its history and variables, and drawing lessons for the future. From the formative periods of the religious traditions to their application in the contemporary world, the essays in this volume interrogate the views on violence found within the traditions and provide examples of religious practices that exacerbate or ameliorate situations of conflict.
Interpreters of Matthew's Parable of the Wedding Feast (22.1-14) typically associate the 'king' with God and then justify his violent attacks against city and guests; interpreters of the Parable of the Ten Virgins (25.1-13) typically associate the 'bridegroom' with Jesus and then justify his extreme rejection of the 'foolish virgins.' Questioning such allegorical interpretations, this study first details how Hebrew, Greek, and Roman texts depict - without requiring allegorical understandings - numerous bridegrooms associated not only with joy but also with violence and death. Second, this project appeals to the disruptive nature of parables, the feminist technique of resisting reading, and the Matthean Jesus's own ethical instructions to argue that in the parables, those who resist violent rulers and uncaring bridegrooms are the ones worthy of the Kingdom. The study then shows how the Matthean Jesus - the brideless, celibate bridegroom -- creates a fictive family by disrupting biological and marital ties, redefining masculinity, and undermining the desirability of marriage and procreation. JSNTS 292