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The seminal work on the evolution, aesthetics and politics of modern martial arts fiction from one of China's leading scholars.
The martial arts novel is one of the most distinctive and widely-read forms of modern Chinese fiction. In Paper Swordsmen, John Christopher Hamm offers the first in-depth English-language study of this fascinating and influential genre, focusing on the work of its undisputed twentieth-century master, Jin Yong. Through close readings of Jin Yong’s recognized masterpieces, Hamm shows how these works combine a rich literary tradition with an extraordinary narrative artistry and an evolving appreciation of the political and cultural aspects of contemporary Chinese experience.
Jin Yong’s Martial Arts Fiction and the Kungfu Industrial Complex is an analysis of the role of Jin Yong’s stories and characters in the construction of the “kungfu industrial complex”—a complicated, multi-dimensional cultural/business matrix related to the production and consumption of martial arts fiction, film, and legacy. The author first explicates the “kungfu cultural literacy” that makes Jin Yong’s characters and stories intelligible and compelling to a wide audience and then argues that academic resistance to integrating his pop fiction into the canon of Chinese literature is overcome via the national character discourse. The author subsequently explores the role of actors, directors, and crews as they repeatedly adapted the novels for film and television and provided afterlives for Jin Yong’s characters, stories, and tropes, both kicking off actors’ careers and driving the globalization of kungfu action. Archetypical characters, multidimensional production and consumption of cultural capital and star power meet in a final analysis of the “Kung Fu Hustle Hustle,” which balances critical reality and a hopeful vision for China’s future.
Chinese martial arts novels from the late nineteenth century are filled with a host of suggestive sounds. Characters cuss and curse in colorful dialect accents, vendor calls ring out from bustling marketplaces, and martial arts action scenes come to life with the loud clash of swords and the sounds of bodies colliding. What is the purpose of these sounds, and what is their history? In Sound Rising from the Paper, Paize Keulemans answers these questions by critically reexamining the relationship between martial arts novels published in the final decades of the nineteenth century and earlier storyteller manuscripts. He finds that by incorporating, imitating, and sometimes inventing storyteller...
On one of his missions, Xiao Shiyi Lang (the Eleventh Son, known as the Great Bandit) meets Shen, the fairest woman in the martial world. By the will of fate, he rescues Shen several times, which plants the seed of love in both of them. However, Shen is married to a rich young man who is also an outstanding martial artist. As if things were not complicated enough, Xiao has his own secret admirer, Feng, an attractive swordswoman with a quick temper. Xiao is drawn into a messy fight for a legendary saber, the Deer Carver, and is accused of stealing it. Xiao finds out that the person who has set him up is a mysterious young man with an angel's face and a devil's heart. Before he can pursue any further, Shen's grandmother is murdered, and Xiao is named the killer. It appears that things are spinning out of control....
本书由著名学术刊物《视角:翻译学研究》(Perspectives:Studies in Translatology)2002年卷的4期内容为主体合编而成。《视角:翻译学研究》为英语季刊,其特点是:观点新,视角新,跨文化跨学科,从不同的角度揭示翻译学的性质和任务。
This pioneering book is the first English-language collection of academic articles on Jin Yong's works. It introduces an important dissenting voice in Chinese literature to the English-speaking audience. Jin Yong is hailed as the most influential martial arts novelist in twentieth-century Chinese literary history. His novels are regarded by readers and critics as "the common language of Chinese around the world" because of their international circulation and various adaptations (film, television serials, comic books, video games). Not only has the public affirmed the popularity and literary value of his novels, but the academic world has finally begun to notice his achievement as well. The significance of this book lies in its interpretation of Jin Yong's novels through the larger lens of twentieth-century Chinese literature. It considers the important theoretical issues arising from such terms as modernity, gender, nationalism, East/West conflict, and high literature versus low culture. The contributors of the articles are all eminent scholars, including famous exiled scholar, philosopher, and writer Liu Zaifu.