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Hegel's 'Individuality'
This book explores an overlooked area in Hegel studies: his use of ‘individuality’ (Individualität). Hegel joined a lively conversation, from Leibniz to Romanticism and beyond, about this novel concept/phenomenon. Successive chapters track Hegel’s engagement, in such texts as the Phenomenology, Encyclopedia, and Aesthetics. Hegel’s system tends to follow a syllogistic logic (universal, particular, singular), but ‘individuality’ departs from the norm. The category enacts a certain pragmatics (as against semantics or syntactics) regarding tacit assumptions at work or implicit terms of address, which requires active participation by a thinking subject charged with discerning individuality (which bars resort to explicit rules). The category reflexively implicates the user even in presuming an objective context. ‘Individuality’ should not be confused with ‘individualism,’ wholly distinct in origin. Moreover, Hegel’s Aesthetics embraces a paradoxical anachronism. Like ‘art’ itself, ‘individuality’ emerged as an essentially modern category, though one transferred to the past and to distant cultures.
Tragedy and Comedy
The first evaluation and critique of Hegel's theory of tragedy and comedy, this book also develops an original theory of both genres.
Writing the Politics of Difference
This book addresses various phases of continental philosophy, both in the context of its multiple traditions and in relation to the alternatives that mark the understanding of its present and future. Divided into two parts, the authors first focus on the diversity of traditions in continental philosophy in connection with the texts of Hegel, Marx, Kierkegaard, Sartre, and De Beauvoir. Second, they explore the reality of social, political, sexual, and philosophical differences, in connection with the writings of Merleau-Ponty, Arendt, Habermas, Heidegger, Foucault, Irigaray, Kristeva, Derrida, and Vattimo. They also stress the various theoretical foundations that manifest these differences. Issues surrounding the role of philosophical systems, language, ethical choice, relations with others, the gendered body, socialization, and the status of philosophy today constitute the fabric of this book. The authors place these ideas in the context of current thought and current debates in continental philosophy and evaluate their significance for the future.
The God behind the Marble
A history of Germans’ attempts to transform society through art in an age of revolution. For German philosophers at the turn of the nineteenth century, beautiful works of art acted as beacons of freedom, instruments of progress that could model and stimulate the moral autonomy of their beholders. Amid the Revolutionary and Napoleonic wars, Germans struggled to uphold these ideals as they contended with the destruction of art collections, looting, and questions about cultural property. As artworks fell prey to the violence they were supposed to transcend, some began to wonder how art could deliver liberation if it could also quickly become a spoil of war. Alice Goff considers a variety of works—including forty porphyry columns from the tomb of Charlemagne, the Quadriga from the Brandenburg Gate in Berlin, the Laocoön group from Rome, a medieval bronze reliquary from Goslar, a Last Judgment from Danzig, and the mummified body of an official from the Rhenish hamlet of Sinzig—following the conflicts over the ownership, interpretation, conservation, and exhibition of German collections during the Napoleonic period and its aftermath.
New Perspectives on Hegel's Philosophy of Religion
Hegel's ideas about the nature of religion, its history, and its relation to philosophy have had great influence on his friends and foes alike. Relying on the new critical edition of Hegel's separate lecture courses, the essays in this book provide new insights into Hegel's ideas and challenge the way we think today. Crucial topics are discussed. Is Hegel a Christian? Does the political community absorb religion? How does religion relate to philosophy? What does Hegel have to say about evil and tragedy, about the persistence of mythology, about mysticism? The book also touches on the relation of Hegel's thoughts to deconstructive insights into religion.
Beyond the Finite
Throughout its long history, and not just as the key aesthetic category for the Romantic Movement, the sublime has created the necessary link between aesthetic and moral judgment, offering the prospect of transcending the limits of measurement, even imagination. The best of science makes genuine claims to the sublime. For in science, as in art, every day brings the entirely new, the extreme, and the unrepresentable. How does one depict negative mass, for example, or the folding of a protein that is contagious? Can one capture emergent phenomena as they emerge? Science is continually faced with describing that which is beyond. This book, through contributions from nine prominent scholars, tac...
The Heritage of Kazimierz Ajdukiewicz
This book presents Kazimierz Ajdukiewicz's philosophy. Ajdukiewicz was one of the most distinguished and important philosophers of the contemporary Poland. He produced important ideas in logic, epistemology, philosophy of language, and ontology. He influenced Polish analytic philosophy very much. The collection gives a general account of Ajdukiewicz philosophy and it is the only full presentation of his ideas available in Western languages. The volume is of interest for everybody working in analytic philosophy.
Fictional Characters, Real Problems
Literature is a complex and multifaceted expression of our humanity of a kind that is instructively resistant to simplification; reduction to a single element that would constitute literature's defining essence would be no more possible than it could be genuinely illuminating. Yet one dimension of literature that seems to interweave itself throughout its diverse manifestations is still today, as it has been throughout literary history, ethical content. This striking collection of new essays, written by an international team of philosophers and literary scholars, pursues a fuller and richer understanding of five of the central aspects of this ethical content. After a first section setting out...
Nihilism and the Sublime Postmodern
This book examines the relationship between nihilism and postmodernism in relation to the sublime, and is divided into three parts: history, theory, and praxis. Arguing against the simplistic division in literary criticism between nihilism and the sublime, the book demonstrates that both are clearly implicated with the Enlightenment. Postmodernism, as a product of the Enlightenment, is therefore implicitly related to both nihilism and the sublime, despite the fact that it is often characterised as either nihilistic or sublime. Whereas prior forms of nihilism are 'modernist' because they seek to codify reality, postmodernism creates a new formulation of nihilism - 'postmodern nihilism' - that is itself sublime. This is explored in relation to a broad survey of postmodern literature in two chapters, the first on aesthetics and the second on ethics. It offers a coherent thesis for reappraising the relationship between nihilism and the sublime, and grounds this argument with frequent references to postmodern literature, making it a book suitable for both researchers and those more generally interested in postmodern literature.
