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A hilarious story for anyone who has ever had to tangle with a head full of hair! When Amy is born she doesn’t have much hair. Not for long! Soon her hair is the stuff of fairy tales - so long she could throw it down a tower to let up a handsome prince. Only, hair this long is also really inconvenient, especially on windy days. So Amy’s dad comes up with some innovative solutions, and soon EVERYONE wants one of Daddy's Hairdos! A brilliant book from new talent Francis Martin and rising star Claire Powell, illustrator of Have You Seen My Giraffe?.
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Born in 1909, Francis Bacon's entire early adulthood was penetrated by the tragedy of the Second World War. Unlike many of his contemporaries in Britain, he did not participate in the war or become a war artist. Rather, he is unique amongst his generation of artists as independently choosing Hitler, Nazi Germany and Fascist propaganda to be one of the most influential sources for his practice. In this new scholarly study, Martin Hammer addresses the question of how and why Bacon appropriated the photographs and documentation of Fascist imagery to his own expressive ends, emphasising how it was used technically in his painting as a visual aid, and how, far from being an artist of private spaces and personal anguish, he in fact found inspiration from mass circulated media and the use of it for the promotion of global ideals. Featuring an extensive selection of colour and black-and-white reproductions of both paintings and source material from Bacon's own collected archive, Hammer uses focussed visual engagement with Bacon's work, illuminating the artist's aims to comment and reflect on the wider contemporary world.
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The first work to undertake a theological critique of Christian feminism as a whole, this book seeks to bring traditional faith and the feminist position into a deeper dialogue. Part One presents an overview of the historical issues raised by feminist theology. Part Two compares key feminist theological presuppositions to the prophetic interpretation of reality found in the biblical tradition.
The art of Francis Bacon (1909-1992) epitomises the angst at the heart of the modern human condition. His dramatic images of screaming figures and distorted anatomies are painted with a richly gestural technique, alluding to such old masters as Titian, Velázquez and Rembrandt. Displaying repressed and raw emotion, his body of work includes portraits of Lucian Freud and John Deakin.
The third book in the Francis Bacon Studies series, this volume reveals fundamental insights into the artist’s character and psychology that will change existing perceptions. Very little is known about Francis Bacon’s early career, but this third installment in the Bacon estate’s groundbreaking series provides exciting new insight into and analysis of the elusive artist. Archived material recently added to the Estate of Francis Bacon’s collection—including the diaries of Bacon’s first two patrons and an extensive number of records kept by Bacon’s doctor, Paul Brass—has allowed Francesca Pipe, Sophie Pretorius, and Martin Harrison to delve deeper into the artist’s formative ...
This collection of research explores the relationship between the Conservative party and British society since 1880 by focusing on the key themes of ideology, national identity, gender and policy. The focus of the text is not so much on the Conservative party as an institution, as on the party's wider significance in British political culture. It seeks to explain the Conservatives extraordinary electoral success in this period and asserts that this success was both problematic and historically contingent. Part one of this study addresses the question of conservative ideology; part two analyzes the role of national identity in Conservative discourse and policy; part three assesses how Conservatives negotiated the gendered nature of popular politics both before and after the arrival of the equal franchise, and part four examines how Conservative understanding of the relationship between state and society were translated into specific aspects of social and economic policy.
Now that you are approaching the final stages of your degree, have you ever wondered how you're going to cope with writing your dissertation? Apart from the practicalities of suddenly having to think and work in a completely different, and more in-depth, way trom before, how are you going to fit it in with the rest of your work and also have a social life? Your Student Research Project will show you how. This book gives you practical advice on how to cope with your project and make a success of your studies. It: ¢ is written in clear, accessible language ¢ provides a clear outline of practical guidance on how to run your project, from thinking about what topic to cover to the most effectiv...
A focused look at double-figure paintings by the celebrated British artist, whose disturbing portrayals radically altered the genre of figurative painting in the twentieth century. This book highlights a theme that preoccupied Francis Bacon throughout his career: the relationship between two people, both physical and psychological. At its heart are two of the most uninhibited images that Bacon ever painted: Two Figures (1953) and Two Figures in the Grass (1954). After completing these interrelated works, Bacon did not return to the subject until 1967, the year that homosexual acts in private were decriminalized in England and Wales, when he painted Two Figures on a Couch, also featured in th...