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Martin Secker
None
Dangerous Writing
This book examines the literary construction of personal identity through autobiographical narratives by three significant writers analysed together for the first time: the Scottish Willa Muir (1890-1970), the Canadian Margaret Laurence (1926-1987), and the New Zealander Janet Frame (1924-2004). These apparently dissimilar authors suffered not only geographical, but also political marginality: they were women from the working-class or struggling middle-class, striving to be considered as professional writers, and emerging from countries that might be felt to be under the shadows of economic and political world powers such as England and the United States. During their lifetimes, they exerted...
Rewriting Scotland
Rewriting Scotland examines six of the most influential and cutting-edge contemporary Scottish writers as they redefine outmoded notions of Scottish identity. From Irvine Welsh's windows into Scottish youth culture in Trainspotting to Janice Galloway's examinations of the duality of female isolation and empowerment, this unique work reveals new explorations of Scottish gender politics, sexuality, voice, and self-awareness.
The Question of the Aesthetic
This book establishes an argument for deeper attention to the aesthetic qualities of literature, to the question of the relation between the aesthetic and more immediate, practical, and urgent social and political matters. It attempts to establish the intrinsic value of the aesthetic at the same time as it demonstrates that focus on the aesthetic does not preclude attention of the urgent questions with which works of art consistently engaged. It argues that attention to the aesthetic does not diminish attention to these larger issues, but in effect increases the power both of art and criticism to engage them fruitfully.
Diversity and Detective Fiction
The distinguishing characteristic of the book is its mix of essays focusing on teaching cultural diversity in the classroom and illustrating diversity through fiction to the general readers."--BOOK JACKET.
Lady Chatterley's Villa
November 1925 found David and Frieda Lawrence on the Italian Riviera, looking for sun, sea air, and health. The Lawrences were exhilarated by life in their rented villa, set amid olive groves and vineyards, with a view of the sparkling Mediterranean. The drab English winter couldn’t have been farther away. But before long Frieda found herself irresistibly attracted to their landlord, a dashing Italian army officer, and the resulting affair served as the background for Lawrence’s writing: while in the villa, he turned out two stories, “Sun” and “The Virgin and the Gypsy,” both prefiguring Lady Chatterley’s Lover in their depiction of women fatally drawn to earthy, muscular men. ...
St Mawr and Other Stories
St Mawr and Other Stories is newly edited from Lawrence's original manuscripts and typescripts.
