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Looking at decolonization in the conditional tense, this volume teases out the complex and uncertain ends of British and French empire in Africa during the period of ‘late colonial shift’ after 1945. Rather than view decolonization as an inevitable process, the contributors together explore the crucial historical moments in which change was negotiated, compromises were made, and debates were staged. Three core themes guide the analysis: development, contingency and entanglement. The chapters consider the ways in which decolonization was governed and moderated by concerns about development and profit. A complementary focus on contingency allows deeper consideration of how colonial powers planned for ‘colonial futures’, and how divergent voices greeted the end of empire. Thinking about entanglements likewise stresses both the connections that existed between the British and French empires in Africa, and those that endured beyond the formal transfer of power.
Visions of Empire in the Nazi-Occupied Netherlands is a study of empire, occupation and decolonization, and uncovers Nazi-occupied Netherlands.
The nations of the Pacific Basin - in East and Southeast Asia, Australasia, the Pacific islands and the Americas - make up the world's largest economic zone, and its most culturally diverse region. In recent years its Asian 'Tiger Economies' have suffered economic collapse and unfinished business from the Cold War has produced continuing conflict and instability. The new edition of this pioneering book traces the postwar inter-relationships of all the rim and island nations. It gives a unique impression of the make-up of the region, and the tensions within it. The book integrates a wide range of information from books and articles; from published and unpublished sources, including recently opened Russian and American archives; and from the first-hand experiences of participants, including those of the author, in Pacific Basin affairs. Vigorously written and strongly argued, no other account brings together all the threads of the development of international relations in this complex and fascinating region.
This beautifully crafted and solidly researched book explains why and how the United States made its first commitment to Vietnam in the late 1940s. Mark Atwood Lawrence deftly explores the process by which the Western powers set aside their fierce disagreements over colonialism and extended the Cold War fight into the Third World. Drawing on an unprecedented array of sources from three countries, Lawrence illuminates the background of the U.S. government's decision in 1950 to send military equipment and economic aid to bolster France in its war against revolutionaries. That decision, he argues, marked America's first definitive step toward embroilment in Indochina, the start of a long series...
That America was drawn into the Vietnam War by the French has been recognized, but rarely explored. This book analyzes the years from 1945 with the French military reconquest of Vietnam until 1963 with the execution of the French-endorsed dictator, Ngo Dinh Diem, demonstrating how the US should not have followed the French into Vietnam. It shows how the Korean War triggered the flow of American military hardware and finances to underpin France’s war against the Marxist-oriented Vietnam Republic led by Ho Chi Minh.
"Vietnam 1946 is a masterful narrative of the immediate origins of the first Vietnam War. It is, by turns, vivid and shocking; it is always immensely revealing. Tønnesson brings forensic clarity to crucial events about which, even now, some sixty years later, fundamental misapprehensions exist. An outstanding work of scholarship of major international importance."—Martin Thomas, author of Empires of Intelligence "Tønnesson captures brilliantly the 1946 confrontation between two republics: France determined to redeem itself from Axis humiliation by regaining Indochina; Vietnam equally determined to retake independence after eighty years of colonial servitude. Tønnesson also demonstrates,...
Colonial Ambivalence, Cultural Authenticity, and the Limitations of Mimicry in French-Ruled West Africa, 1914-1956 offers an innovative and provocative reassessment of the history and legacies of French colonial rule in West Africa between the First World War and the late 1950s. Making critical use of postcolonial and cultural theory, James E. Genova argues that the colonizers and the colonized were locked in a struggle for authority increasingly structured by competing notions of what it meant to be French or African. This book breaks new ground by demonstrating the centrality of the cultural question in the imperial encounters between France and West Africa. It maps the emergence of the French-educated elite as a social class in French West Africa as a window into the complex relationship between agency and structural context in the making of history. A disjunction developed between decolonization and liberation in the colonial liaison of France and West Africa that left colonizers and colonized trapped in a neocolonial cultural framework actualizing Frantz Fanon's deepest fears about the postcolony.
“By using both macro and micro lenses, Eric T. Jennings has written a book which is a model of global history under the guise of a monographic study. He convincingly demonstrates that throughout fifty years, Dalat as a climatic resort built by the French colonizers in the Central Highlands of Vietnam, was upgraded to far more than a mere R&R place for white people. Jennings has kneaded together a huge and rich amount of primary and secondary sources that he masters perfectly due to his sound and balanced method of critical analysis. As we say in French: de la belle ouvrage.” —Pierre Brocheux, author of Indochina: An Ambiguous Colonization, 1858-1954 “Written in a vivid and engaging style, Imperial Heights is an exceptional piece of scholarship. It is impeccably researched, drawing on private, institutional, and national archives in at least five countries. Making wonderful use of ‘thick description,’ Jennings brilliantly recreates the story of one small town to capture the varied and complex history of French colonialism and its afterlives in Southeast Asia.” —J.P. Daughton, author of An Empire Divided
Noise Uprising brings to life the moment and sounds of a cultural revolution. Between the development of electrical recording in 1925 and the outset of the Great Depression in the early 1930s, the soundscape of modern times unfolded in a series of obscure recording sessions, as hundreds of unknown musicians entered makeshift studios to record the melodies and rhythms of urban streets and dancehalls. The musical styles and idioms etched onto shellac disks reverberated around the globe: among them Havana's son, Rio's samba, New Orleans' jazz, Buenos Aires' tango, Seville's flamenco, Cairo's tarab, Johannesburg's marabi, Jakarta's kroncong, and Honolulu's hula. They triggered the first great battle over popular music and became the soundtrack to decolonization.