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The Last Bullet Is for You
By Grand Central Station I Sat Down and Wept is the title of Canadian writer Elizabeth Smart's classic hymn to love, which novelist Angela Carter once described as being "like Madame Bovary blasted by lightning." Later, Carter wrote privately to a friend, saying that she would hate any daughter of hers to have to write such a novel, adding, "By Grand Central Station I Tore Off his Balls would be more like it, I should hope." And now along comes Montreal novelist Martine Delvaux with The Last Bullet Is for You. This stream-of-consciousness novel takes the form a love letter, but it is the last one. One last letter filled as much with the memory of love as the desire for revenge. Love is war, wrote Ovid, and this book is a battleground. Writing is both an act of passion and the means to end it once and for all. Writing is the last bullet, shooting through the love story and into what is left of the lover: a ghost, a fiction. And maybe that's what he was from the start.
Serial Girls
Everywhere you look patriarchal society reduces women to a series of repeating symbols: serial girls. On TV and in film, on the internet and in magazines, pop culture and ancient architecture, serial girls are all around us, moving in perfect sync—as dolls, as dancers, as statues. From Tiller Girls to Barbie dolls, Playboy bunnies to Pussy Riot, Martine Delvaux produces a provocative analysis of the many gendered assumptions that underlie modern culture. Delvaux draws on the works of Barthes, Foucault, de Beauvoir, Woolf, and more to argue that serial girls are not just the ubiquitous symbols of patriarchal domination but also offer the possibility of liberation.
Bitter Rose
"A little girl is growing up in an Ontario village. Her father has taken off, and the world is full of dangers she doesn't understand. Her friends have names like Manon-just-Manon, BB, and Valence Berri, and things seem pretty okay, most of the time, except that girls keep disappearing. When she leaves the village for a suburb of Ottawa and then moves downtown and beyond, she never looks back."--Amazon.com.
Nan Goldin
In her new book, the feminist author Martine Delvaux links her own experience as a writer with that of the American photographer and installation artist Nan Goldin, whose life has been marked by the suicide of her beloved older sister Barbara, and who is best-known for her intimate portrayals of the sexual underground.
My Father and I
"It is a living museum of a long-gone Jewish life and, supposedly, a testimony to the success of the French model of social integration. It is a communal home where gay men and women are said to stand in defiance of the French model of social integration. It is a place of freedom and tolerance where people of color and lesbians nevertheless feel unwanted and where young Zionists from the suburbs gather every Sunday and sometimes harass Arabs. It is a hot topic in the press and on television. It is open to the world and open for business. It is a place to be seen and a place of invisibility. It is like a home to me, a place where I feel both safe and out of place and where my father felt comf...
Queer and Feminist Relationships in Contemporary Fiction
Relationships play a crucial role in feminist and queer fictions of the 21st century, whether we think of the connection among the artists and between them and their audience or the interaction of the characters or different modes of writing. The contributors to this volume analyze and map these friendly, amorous, sexual, political and artistic contacts within and around contemporary fictions of Romance cultures. They show how these works question, challenge and rethink circulating concepts of relationships and implement them aesthetically. This volume integrates contributions from feminist, queer and decolonial studies just as sociology of art.
Untimely Interventions
Explores testimonial writing as it advances a provocative new theory of culture, trauma, genre, and denial
White Out
Martine Delvaux's aching take on her own origin story is a book about words lost in a lifetime of storms, about truth and fiction, a book about how something as seemingly commonplace as parentage can undermine everything?confidence, relationships, the body, memory.
The Aesthetic Clinic
In The Aesthetic Clinic, Fernanda Negrete brings together contemporary women writers and artists well known for their formal experimentation—Louise Bourgeois, Sophie Calle, Lygia Clark, Marguerite Duras, Roni Horn, and Clarice Lispector—to argue that the aesthetic experiences afforded by their work are underwritten by a tenacious and uniquely feminine ethics of desire. To elaborate this ethics, Negrete looks to notions of sublimation and feminine sexuality developed by Freud, Baudelaire, Mallarmé, and Nietzsche, and their reinvention with and after Jacques Lacan, including in the schizoanalysis of Gilles Deleuze and Félix Guattari. But she also highlights how psychoanalytic theory draw...
Women’s writing in contemporary France
This electronic version has been made available under a Creative Commons (BY-NC-ND) open access license. The 1990s witnessed an explosion in women’s writing in France, with a particularly exciting new generation of writer’s coming to the fore, such as Christine Angot, Marie Darrieussecq and Regine Detambel. Other authors such as Paule Constant, Sylvie Germain, Marie Redonnet and Leila Sebbar, who had begun publishing in the 1980s, claimed their mainstream status in the 1990s with new texts. The book provides an up-to-date introduction to an analysis of new women’s writing in contemporary France, including both new writers of the 1990s and their more established counter-parts. The edito...
