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Artists, this ebook contains tips and cover letters for you to use as guides for making your own art submissions, in any media, to art galleries, art museum curators, art consultants, art licensing agencies, interior design agencies, art magazine editors, art poster companies, book jacket publishers, potential art sponsors, multi-opportunity submissions, and more, to create opportunities and income streams to support your art practice.The purpose of this ebook is to save you time--not just on a daily basis, but to save you months and years of trial and error. The letter formats are tried and have brought results for artists. The sample letters here are based on actual letters that I wrote and used to obtain solo exhibitions, lucrative art licensing contracts, representation with top artist agencies, and representation by art consultants for lucrative Giclee print sales internationally.So why not get started using this e-book and send off submissions to art professionals on your prospect list? If you lack professional contacts,the ebook contains information for obtaining lists.Copyright Marie Kazalia 2011ebook: 87 pages
An evocative visual chronicle on the life of Leonora Carrington as seen through interiors, international locations and vintage photographs, this book leads the reader on a personal journey through the many spaces she inhabited and which infused and haunted her art and the people she knew. Long underrated, Carrington is now considered as one of the vanguard, not only in histories of women artists but also Surrealism; her interests feminism, ecology and life-enhancing art are now shared by many. Challenging the conventions of her time, Carrington abandoned family, society and England to embrace new experiences and mix with artists in Europe and America, and to forge her own unique artistic sty...
Precolumbian art -- Viceregal art -- Nineteenth century art -- Twentieth century art.
The complete art-lovers guide to all the known and unknown art in New York City. Art on Sight: The Best Outings In and Near New York City invites readers to see public art in a wide variety of venues and applications. Covering the five boroughs of New York City and nearby sites close to the city, it features information on sculpture gardens, lobby art, underground art, cemetery art, stained glass windows, ethnic art, art auction houses and design centers. Each site description includes complete directions, web sites and information concerning hours, fees and other pertinent details.
First Published in 1997. Routledge is an imprint of Taylor & Francis, an informa company.
The man Octavio Paz called a "glacial spark" was a painter for whom intuition always had the last word. But Gunther Gerzso's work has in recent years lacked the in-depth attention it deserves, a situation meant to be righted by Risking the Abstract. Originally conceived in collaboration with the artist, and finished with the help of his widow and sons, this volume and exhibition provide a better understanding of the artist's essential role in shaping an alternative approach to Modernism in Mexico, one that bears an important relationship to Abstract Expressionism in the United States and art informel in Europe.
At the time of his death, the Pittsburgh-born John White Alexander (1856-1915) was an internationally recognized portrait painter, on a part with his contemporaries John Singer Sargent and William Merritt Chase. However the works that have earned him even greater acclaim than his portraits are his figure paintings of femmes fatales, usually richly attired in flowing dresses and striking elaborate poses. Alexander had been much in demand as a portraitist, both of men and children as well as women, but his real talent, which became evident relatively late in his career, lay in his ability to capture the essence of the female form. This talent blossomed after he encountered Juliette Very, the Parisian model who became his muse. Inspired by Juliette, his paintings are imbued with sentiment expressed through movement and gesture, and it was the portrayal of his models in this way that brought him fame. He also borrowed from the post-impressionist group of painters, the Nabis' use of bold abstract forms and flowing lines, and from James McNeil Whistler's muted coloration, to create his own unique style.