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Telling Histories
  • Language: en
  • Pages: 56

Telling Histories

Telling histories : installations by Ellen Rothenberg and Carrie Mae Weems / Mary Drach McInnes -- Text for Ritual and revolution / Carrie Mae Weems.

Anne Currier
  • Language: de
  • Pages: 124

Anne Currier

  • Categories: Art

The first comprehensive publication on the sculptures by Anne Currier, which emphasise space by playing with light, shade, surface and mass.

Philip Guston, 1975-1980
  • Language: en
  • Pages: 72

Philip Guston, 1975-1980

  • Categories: Art

The paintings included in this volume are a visual journal of Guston's concerns and conflicts in his last five years. The large-scale canvases he created highlight both his private struggle in the studio and his public meditations on war and aggression. The authors' contributions are followed by a r

Anne Currier
  • Language: de

Anne Currier

  • Type: Book
  • -
  • Published: 2006
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  • Publisher: Unknown

None

From Icon to Irony
  • Language: en
  • Pages: 90

From Icon to Irony

  • Type: Book
  • -
  • Published: 1995
  • -
  • Publisher: Unknown

None

Boston Modern
  • Language: en
  • Pages: 418

Boston Modern

  • Categories: Art
  • Type: Book
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  • Published: 2005
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  • Publisher: UPNE

A fresh, incisive study of the expressionist approach to modern art in Boston.

Ellsworth Kelly
  • Language: en
  • Pages: 62

Ellsworth Kelly

  • Categories: Art
  • Type: Book
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  • Published: 1998
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  • Publisher: Unknown

"Boston University Art Gallery, September 11-October 25, 1998."

William Underhill
  • Language: en

William Underhill

- Monograph on William Underhill, one of the great talents of the modern American studio craft movement - Discover the sculptural vessels of the acclaimed master of lost-wax casting William Underhill (1933-2022) was one of the great talents and enigmas of the modern American studio craft movement. He became an acclaimed master of lost-wax casting, pursuing the sculptural potential of bronze vessels with unrivalled persistence and virtuosity. He "molded and scratched the wax until the final bronze surface embodied all of the mystical connotations of a ritualistic object," said Lee Nordness in his ground-breaking Objects USA (1969) survey of modern studio crafts. But Underhill then left the limelight and went on to ceaselessly explore both the power of beauty and form-making as a way to shape the spirit.

From Rodin to Giacometti
  • Language: en
  • Pages: 244

From Rodin to Giacometti

  • Type: Book
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  • Published: 2021-09-06
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  • Publisher: BRILL

This book is a collection of papers delivered at an international conference in September 1996 at the Scottish National Gallery of Modern Art during a major Giacometti retrospective. The contributors are leading curators, art historians and literature specialists. While the relationship between nineteenth- and twentieth-century painters and writers has been the subject of intense interest in recent years, the parallel relationship between sculptors and writers has been largely neglected. These essays seek to redress the balance by looking at a variety of ways in which the conventional barriers between writing and sculpting were broken down by such pioneering figures as Rodin, Degas, Bourdell...

Playing with Earth and Sky
  • Language: en
  • Pages: 328

Playing with Earth and Sky

  • Categories: Art

Playing with Earth and Sky reveals the significance astronomy, geography, and aviation had for Marcel Duchamp - widely regarded as the most influential artist of the past fifty years. Duchamp transformed modern art by abandoning unique art objects in favor of experiences that could be both embodied and cerebral. This illuminating study offers new interpretations of Duchamp's momentous works, from readymades to the early performance art of shaving a comet in his hair. It demonstrates how the immersive spaces and narrative environments of popular science, from museums to the modern planetarium, prepared paths for Duchamp's nonretinal art. By situating Duchamp's career within the transatlantic cultural contexts of Dadaism and Surrealism, this book enriches contemporary debates about the historical relationship between art and science. This truly original study will appeal to a broad readership in art history and cultural studies.