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Srebnick uses the famous, unsolved murder of a Manhattan woman in 1841 as a window into urban culture in the mid-nineteenth-century.
"This combination text and reader provides an introduction to contemporary feminist theory oriented toward undergraduates as well as master;s-level students. Its organization around substantive topics and issues rather than conventional categories of feminist thinking effectively conveys the breadth and depth of feminist theorizing, demonstrating the intersections and eclecticism that have become its hallmark. It offers a strong, multicultural dimension, integrating diversity (race, ethnicity, class, and sexual orientation) within the discussion of substantive topics. As a supplement or as a main text, it will prove highly useful in courses in feminist theory and women;s studies, as well as in gender studies, sociology of women, and contemporary social/sociological theory."--Pub desc.
Gender, Race and Class in Media examines the mass media as economic and cultural institutions that shape our social identities. Through analyses of popular mass media entertainment genres, such as talk shows, soap operas, television sitcoms, advertising and pornography, students are invited to engage in critical mass media scholarship. A comprehensive introductory section outlines the book′s integrated approach to media studies, which incorporates three distinct but related areas of investigation: the political economy of production, textual analysis and audience response. The readings include a dozen new original essays, edited for maximum accessibility. The book provides: - A comprehensive, critical introduction to Media Studies - An analysis of race that is integrated into all chapters - Articles on Cultural Studies that are accessible to undergraduates - An extensive bibliography and section on media resources - Expanded coverage of "queer" representations in mass media - A new section on the violence debates - A new section on the Internet Together with new section introductions, these provide a comprehensive critical introduction to mass media studies.
This book uses one of the most popular accessories of childhood, the Barbie doll, to explain key aspects of cultural meaning. Some readings would see Barbie as reproducing ethnicity and gender in a particularly coarse and damaging way - a cultural icon of racism and sexism. Rogers develops a broader, more challenging picture. She shows how the cultural meaning of Barbie is more ambiguous than the narrow, appearance-dominated model that is attributed to the doll. For a start, Barbie′s sexual identity is not clear-cut. Similarly her class situation is ambiguous. But all interpretations agree that, with her enormous range of lifestyle `accessories′, Barbie exists to consume. Her body is the perfect metaphor of modern times: plastic, standardized and oozing fake sincerity.
Barbie is a strong, independent doll. But is she a feminist icon? It’s complicated. Since her introduction in 1959, Barbie’s impact has been revolutionary. Far from being a toy designed by men to oppress women, she was a toy invented by women to teach women what was expected of them, for better or for worse. Whether tarred-and-glittered as antifeminist puffery or celebrated as a feminist icon (or, at any rate, an important cultural touchstone in understanding feminism) Barbie has undeniably influenced generations of girls. In Forever Barbie, cultural critic, investigative journalist, and first-generation Barbie owner M. G. Lord uncovers the surprising story behind Barbie’s smash succes...
Carefully and thoroughly researched, and told in Geary's gleeful tongue-in-cheek style with all the lurid details, Mary Rogers was a compelling and beautiful woman employed in a cigar store in New York City. She suddenly disappeared and her body was recovered in the Hudson off the Jersey side. The press had a field day with all the possible shocking possibilities. But the case was never solved. Geary recreates a fascinating picture of the nascent still somewhat anarchical soon-to-be metropolis of New York.
This book examines the historical and philosophical links between commodity culture and cultural fetishism.
The story of New England's own Mary Cassatt Revolutionary artist Mary Rogers Williams (1857—1907), a baker's daughter from Hartford, Connecticut, biked and hiked from the Arctic Circle to Naples, exhibited from Paris to Indianapolis, trained at the Art Students League, chafed against art world rules that favored men, wrote thousands of pages about her travels and work, taught at Smith College for nearly two decades, but sadly ended up almost totally obscure. The book reproduces her unpublished artworks that capture pensive gowned women, Norwegian slopes reflected in icy waters, saw-tooth rooflines on French chateaus, and incense hazes in Italian chapels, and it offers a vivid portrayal of an adventurer, defying her era's expectations.
Rogers explores the Eternal Feminine and Edgar Cayce. From Creation Myths, Twin Souls and Goddess practices; Rogers offers insight into the causes of oppression of women in search of gender justice. Rogers presents the Circle of Light Ritual and interviews engaged in The Work. This book is a shining star.
Join John Rogers as he ventures out into an uncharted London like a redbrick Indiana Jones in search of the lost meaning of our metropolitan existence. Nursing two reluctant knees and a can of Stella, he perambulates through the seasons seeking adventure in our city’s remote and forgotten reaches.