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Mary Hallock-Greenewalt
Mary Hallock-Greenewalt played the piano with the Philadelphia and Pittsburgh Orchestras as a concert soloist, invented her own color organ that she called a "Sarabet" after her mother, and, in her pursuit of the art she named "Nourathar" by combining the Arabic words for "essence of light,"she had to invent the machinery required as well. Numbered among her inventions are the rheostat that allos the gradual fading of light, the mercury switch, and was among the earliest developers of colored gel filters for tinting theatrical lights. Her patent for the rheostat became the subject of an infirngement lawsuit in the lat 1920s against such large corporations as General Electric, a lawsuit that she ultimately won in 1936. This volume collects all eleven of her technology patents, revealing the refinement and evolution of the Sarabet. These patents also enable a clear evaluation of her contributions to visual music, since, as Dr. Betancourt notes in his introduction, the patents allow a much clearer determination of her place in history and a peer-reviewed statement of her accomplishments.
Making Images Move
Making Images Move reveals a new history of cinema by uncovering its connections to other media and art forms. In this richly illustrated volume, Gregory Zinman explores how moving-image artists who worked in experimental film pushed the medium toward abstraction through a number of unconventional filmmaking practices, including painting and scratching directly on the film strip; deteriorating film with water, dirt, and bleach; and applying materials such as paper and glue. This book provides a comprehensive history of this tradition of “handmade cinema” from the early twentieth century to the present, opening up new conversations about the production, meaning, and significance of the moving image. From painted film to kinetic art, and from psychedelic light shows to video synthesis, Gregory Zinman recovers the range of forms, tools, and intentions that make up cinema’s shadow history, deepening awareness of the intersection of art and media in the twentieth century, and anticipating what is to come.
Women of Invention
Hypatia was a Greek mathematician, astronomer, and philosopher who invented the hydrometer in about 400 AD. Described as a charismatic teacher, she was seen as an evil symbol of the pagan science of learning and she was eventually murdered by Christian zealots. For many women in years gone by, the invention process was fraught with danger and difficulty. Not only did they face the hardship and obstacles of inventing, they also had to contend with the sexism and gender discrimination of a male world that believed women had nothing to contribute. Scientific women came to the fore with momentous innovations which were impossible for men to ignore. During World War Two, Austrian actress Hedy Lam...
Harmony and Dissent
R. Bruce Elder argues that the authors of many of the manifestoes that announced in such lively ways the appearance of yet another artistic movement shared a common aspiration: they proposed to reformulate the visual, literary, and performing arts so that they might take on attributes of the cinema. The cinema, Elder argues, became, in the early decades of the twentieth century, a pivotal artistic force around which a remarkable variety and number of aesthetic forms took shape. To demonstrate this, Elder begins with a wide-ranging discussion that opens up some broad topics concerning modernity’s cognitive (and perceptual) regime, with a view to establishing that a crisis within that regime...
Visual Music Instrument Patents
"This book is a collection of primary source documents for visual music instruments, often called 'color organs' [or lumia], gleaned from the United States Patent Office."--Back cover.
Music Trades
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The Color Revolution
A history of color and commerce from haute couture to automobile showrooms to interior design. When the fashion industry declares that lime green is the new black, or instructs us to “think pink!,” it is not the result of a backroom deal forged by a secretive cabal of fashion journalists, designers, manufacturers, and the editor of Vogue. It is the latest development of a color revolution that has been unfolding for more than a century. In this book, the award-winning historian Regina Lee Blaszczyk traces the relationship of color and commerce, from haute couture to automobile showrooms to interior design, describing the often unrecognized role of the color profession in consumer culture...
The Men of Manhattan
"The Men of Manhattan" is a short history of the origins and development of the American atomic bomb program during World War II, focusing on the men and woman who made it possible. Beginning with the scientific developments of the pre-war years, the book details the role of scientific exploration in conducting a secret, nationwide enterprise that took science from the laboratory and into combat with an entirely new type of weapon. Throughout the book, short biographies of the men, and a women-Lise Meitner, Leona Woods Marshall Libby, and Chien-Shiung Wu-are provided where most pertinent. Although nuclear weapons still pose a threat to peace throughout the world, splitting the atom was a watermark point in nuclear science and quantum physics. Harnessed responsibly, the enormous power of an atomic chain reaction can serve humanity for good, e.g., atomic energy. Nuclear medicine and x-ray technology are examples of the benefits brought about by these pioneers-the Men of Manhattan.
Thomas Wilfred's Clavilux
This anthology brings together the few essays on Lumia that were published during Thomas Wilfred's lifetime. Wilfred, an artist who experimented with a form of visual music he called "Lumia" developed an entire aesthetic system that could either be performed live, or set-up as an automatic display. His instrument, the Clavilux, was subject of several patents, collected along with images from Opus 161. Together these essays, the patents, and selected images provide a clear description of Lumia, what Wilfred described as "the eighth art."
