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A collection of poems written by Mary Jo Bang in the year following the death of her son.
This compelling book takes its title from Samuel Beckett's Ohio Impromptu. In Beckett's play, a grieving beloved seeks relief from the haunting presence of a departed lover in a place where "From its single window he could see the downstream extremity of the Isle of Swans." With a bow to Beckett's style and linguistic playfulness, Mary Jo Bang's collection of poems deals compassionately and gracefully with the tangible world. Bang's savvy alliterative insistence sweeps the reader along, as her poems collectively offer a world delicately structured from memorable fragments of experience, emotion, things, and places--inside and outside the human psyche.
Winner of the 1996 Bakeless Literary Publication Prize for Poetry.
The eagerly awaited new poetry collection by Mary Jo Bang, winner of the National Book Critics Circle Award We were told that the cloud cover was a blanket about to settle into the shape of the present which, if we wanted to imagine it as a person, would undoubtedly look startled— as after a verbal berating or in advance of a light pistol whipping. The camera came and went, came and went, like a masked man trying to light a too-damp fuse. The crew was acting like a litter of mimics trying to make a killing. Anything to fill the vacuum of time. —from "The Doomsday Clock" The Last Two Seconds is an astonishing confrontation with time—our experience of it as measured out by our perceptions, our lives, and our machines. In these poems, full of vivid imagery and imaginative logic, Mary Jo Bang captures the difficulties inherent in being human in the twenty-first century, when we set our watches by nuclear disasters, species collapse, pollution, mounting inequalities, warring nations, and our own mortality. This is brilliant and profound work by an essential poet of our time.
The poems in The Eye Like a Strange Balloon find their seed in paintings, film, video, photographs, and collage, and the end results are something more than a sum of their parts.
David Lehman, a poet of wit, ingenuity, and formidable skill, draws upon his heritage as a grandson of Holocaust victims and offers a stirring autobiographical collection of poems that is his most ambitious work to date. Yeshiva Boys covers an expansive range of subjects -- from love, sex, and romance to repentance, humility, the meaning of democracy, Existentialism, modern European history, military intelligence, and the rituals associated with faith and prayer. The title poem is a work in twelve parts that blends the elements of espionage fiction, memory, history, and moral philosophy. It reflects David's experience as a student in an orthodox Yeshiva, and it, along with many other poems in the book, explores what it means to be a Jew in America, what is gained and lost in assimilating to secular culture, how to understand the peculiar destiny of the Jewish people, and how to reconcile the existence of God with the knowledge of evil. Beautiful, provocative, and accessible, this is David Lehman's most inspired collection.
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In recent years philosophers have produced important books on nearly all the major arts: the novel and painting, music and theatre, dance and architecture, conceptual art and even gardening. Poetry is the sole exception. This is an astonishing omission, one this collection of original essays will correct. If contemporary philosophy still regards metaphors such as 'Juliet is the sun' as a serious problem, one has an acute sense of how prepared it is to make philosophical and aesthetic sense of poems such W. B. Yeats's 'The Second Coming', Sylvia Plath's 'Daddy', or Paul Celan's 'Todesfuge'. The Philosophy of Poetry brings together philosophers of art, language, and mind to expose and address ...
“Reading [The End of the Day] is like studying a stained-glass window up close, each piece bright and sharply cut, but when you step back and see it as a whole you discover a large, beautiful, mysterious work of art.” —David Ebershoff, New York Times bestselling author of The Danish Girl and The 19th Wife Following his acclaimed New York Times bestseller, Did You Ever Have a Family, Bill Clegg returns with a deeply moving, emotionally resonant second novel about the complicated bonds and breaking points of friendship, the corrosive forces of secrets, the heartbeat of longing, and the redemption found in forgiveness. A retired widow in rural Connecticut wakes to an unexpected visit from...