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An evocative visual chronicle on the life of Leonora Carrington as seen through interiors, international locations and vintage photographs, this book leads the reader on a personal journey through the many spaces she inhabited and which infused and haunted her art and the people she knew. Long underrated, Carrington is now considered as one of the vanguard, not only in histories of women artists but also Surrealism; her interests feminism, ecology and life-enhancing art are now shared by many. Challenging the conventions of her time, Carrington abandoned family, society and England to embrace new experiences and mix with artists in Europe and America, and to forge her own unique artistic sty...
In 2006 journalist Joanna Moorhead discovered that her father's cousin, Prim, who had disappeared many decades earlier, was now a famous artist in Mexico. Although rarely spoken of in her own family (regarded as a black sheep, a wild child; someone they were better off without) in the meantime Leonora Carrington had become a national treasure in Mexico, where she now lived, while her paintings are fetching ever-higher prices at auction today. Intrigued by her story, Joanna set off to Mexico City to find her lost relation. Later she was to return to Mexico ten times more between then and Leonora's death in 2011, sometimes staying for months at a time and subsequently travelling around Britain...
"...excellent coverage...essential to worldwide bibliographic coverage."--AMERICAN REFERENCE BOOKS ANNUAL. This comprehensive reference provides current finding & ordering information on more than 75,000 in-print books published in or about Australia, or written by Australian authors, organized by title, author, & keyword. You'll also find brief profiles of more than 7,000 publishers & distributors whose titles are represented, as well as information on trade associations, local agents of overseas publishers, literary awards, & more. From D.W. Thorpe.
For fans of The Age of Light and Z, a mystical, historical novel based on the true story of the 20th-century painters and occultists Remedios Varo and Leonora Carrington, each beginning as the muse of a famous lover and then breaking away to become an icon in her own right through a powerful friendship that springs from their connection to the tarot. Desperate to escape the Nazis, painter Remedios Varo and her lover, poet Benjamin Peret, flee Paris for Villa Air Bel, a safe house for artists on the Riviera. Along with Max Ernst, Peggy Guggenheim, and others, the two anxiously wait for exit papers. As the months pass, Remedios begins to sense that the others don't see her as a fellow artist; ...
Leonora Carrington (1917-2011) fa parte del gruppo di artisti che durante la Seconda guerra mondiale lascia l’Europa per l’America. Breton le aveva attribuito due doni che riteneva inestimabili: “l’illuminismo della lucida follia” e “la sublime potenza della concezione solitaria”; per Max Ernst era la Sposa del Vento, “colei che si riscalda con la sua vita intensa, col suo mistero e la sua poesia”. L’arrivo in Messico nei primi anni Quaranta, dopo una giovinezza tormentata e ribelle, segna l’inizio di una ricerca artistica straordinariamente sofisticata che poteva solo intuirsi nei suoi esordi all’interno dell’avanguardia surrealista. La cultura messicana conferisce...
Born in Lancashire as the wealthy heiress to her British father's textiles empire, Leonora Carrington was destined to live the kind of life only known by the moneyed classes. But even from a young age she rebelled against the strict rules of her social class, against her parents and against the hegemony of religion and conservative thought, and broke free to artistic and personal freedom. Today Carrington is recognised as the key female Surrealist painter, and Poniatowska's fiction charms this exceptional character back to life more truthfully than any biography could. For a time Max Ernst's lover in Paris, Carrington rubbed elbows with Salvador Dalí, Marcel Duchamp, Joan Miró, André Breton and Pablo Picasso. When Ernst fled Paris at the outbreak of the Second World War, Carrington had a breakdown and was locked away in a Spanish asylum before escaping to Mexico, where she would work on the paintings which made her name. In the hands of legendary Mexican novelist Elena Poniatowska, Carrington's life becomes a whirlwind tribute to creative struggle and artistic revolution. Translated by Amanda Hopkinson.
Before her death, the artist and writer Leonora Carrington (1917–2011) had already garnered a cult following, with numerous creative people making the pilgrimage to meet her at her home in Mexico City. Since then, her fame has only increased. Thinking across contemporary art media, this book demonstrates how Carrington has posthumously become a medium in her own right, critically haunting the creative intellectuals who met or knew her. It explores the work of a remarkable variety of individuals and organisations, including the artists Lucy Skaer, Samantha Sweeting and Lynn Lu, the actress Tilda Swinton, the novelists Chloe Aridjis and Heidi Sopinka and the ensemble Double Edge Theatre. This long-awaited study provides essential reading for both new and established members of the burgeoning Carrington fan club.
The nineteenth-century was a time of accelerated change and stark contradictions. It was marked by stability, advancement and reform, but also by widening inequalities, spiritual crisis and social unrest. Identity and gender came under pressure, religious belief was called into question, and the condition of women and children seemed to belie the much-vaunted idea of progress. Essays in this book explore how these contradictions and concerns are reflected in nineteenth-century literature. In discussing historical figures, characters and plots that are variously vulnerable and/or resilient, the essays reflect the breadth of nineteenth-century literature, from realist and sensational fiction to autobiography and poetry. Besides providing insights into the transfigurative role writing played, both as a means to express vulnerability and as a resilience process, the essays also foster further reflection on two timeless dimensions of the human condition.