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Gilded Age
Intelligent, witty, and poignant, Gilded Age presents a modern Edith Wharton heroine—dramatically beautiful, socially prominent, and just a bit unconventional—whose return to the hothouse of Cleveland society revives rivalries, raises eyebrows, and reveals the tender vulnerabilities of a woman struggling to reconcile her desire for independence and her need for love. ELEANOR HART had made a brilliant marriage in New York, but it ended in a scandalous divorce and thirty days in Sierra Tucson rehab. Now she finds that, despite feminist lip service, she will still need a husband to be socially complete. A woman’s sexual reputation matters, and so does her family name. Ellie must navigate ...
The Necklace
In this “glittering, Gatsby-esque” (Publishers Weekly) novel, two generations of Quincy women—a bewitching Jazz Age beauty and a young lawyer—are bound by a spectacular and mysterious Indian necklace. Always the black sheep of the tight-knit Quincy clan, Nell is cautious when she’s summoned to the elegantly shabby family manor after her great-aunt Loulou’s death. A cold reception from the family grows chillier when they learn Loulou has left Nell a fantastically valuable heirloom: an ornate necklace from India that Nell finds stashed in a Crown Royal whiskey bag in the back of a dresser. As predatory relatives circle and art experts begin to question the necklace’s provenance, ...
The End of the Point
A place out of time, Ashaunt Point, Massachusetts, has provided sanctuary and anchored life for generations of the Porter family, who summer along its remote, rocky shore. But in 1942, the U.S. Army arrives on the Point, bringing havoc and change. An unforgettable portrait of one family's journey through the second half of the twentieth century, The End of the Point artfully probes the hairline fractures hidden beneath the surface of our lives and traces the fragile and enduring bonds that connect us. With subtlety and grace, Elizabeth Graver illuminates the powerful legacy of family and place, exploring what we are born into and what we pass down, preserve, cast off, or willingly set free.
No Poems for Giants
Ryan Frankovic and his best friend, eight-foot-nine giant Luther Brightwell, live in a small midwestern town in the late fifties, surrounded by basketball enthusiasts. In the otherwise ordinary summer of 1956, Ryan and Luther witness the discordant relationship of Ryan's neighbors, Sidney and Claire McMillan, but think nothing of it. But several weeks later, Mrs. McMillan goes missing, and her disappearance leads to months of speculation and even suspicion of murder. About to begin their senior year, the boys soon forget about her in order to prepare for the upcoming sports season while, Luther struggles with his gargantuan height and strength. As the sports season commences, however, the boys start to realize women in other nearby cities have gone missing as well. Despite the distractions of school and college prep, they put together the pieces that soon point to murder and possibly to the killer. What's more, they are shocked to realize that these missing women have something to do with their basketball team.
Why You're Not Married... Yet
With three marriages under her belt, Tracy McMillan KNOWS how to get married, and she knows exactly why so many other women still aren't. In Why You're Not Married... Yet, she pulls no punches telling the modern woman precisely what she's doing wrong. Based on Tracy's Valentine's Day Huffington Post article of the same title, her new book explores how and why women are standing in their own way when it comes to tying the knot. Shortly after its publication, the article went viral, garnering 1,404,533 views, and now stands as the Huffington Post'ssecond most viewed article of all time - and probably one of its most rebutted, having spawned strong response articles on CNN.com, The Frisky, and ...
What Happened to Anna K.
A mesmerizing debut novel that reimagines Tolstoy's classic tragedy, Anna Karenina, for our time Vivacious thirty-seven-year-old Anna K. is comfortably married to Alex, an older, prominent businessman from her tight-knit Russian-Jewish immigrant community in Queens. But a longing for freedom is reignited in this bookish, overly romantic, and imperious woman when she meets her cousin Katia Zavurov's boyfriend, an outsider and aspiring young writer on whom she pins her hopes for escape. As they begin a reckless affair, Anna enters into a tailspin that alienates her from her husband, family, and entire world. In nearby Rego Park's Bukharian-Jewish community, twenty-seven-year-old pharmacist Lev Gavrilov harbors two secret passions: French movies and the lovely Katia. Lev's restless longing to test the boundaries of his sheltered life powerfully collides with Anna's. But will Lev's quest result in life's affirmation rather than its destruction? Exploring struggles of identity, fidelity, and community, What Happened to Anna K. is a remarkable retelling of the Anna Karenina story brought vividly to life by an exciting young writer.
The Most Fun We Ever Had
NEW YORK TIMES BEST SELLER • “A gripping and poignant ode to a messy, loving family in all its glory.” —Madeline Miller, bestselling author of Circe In this “rich, complex family saga” (USA Today) full of long-buried family secrets, Marilyn Connolly and David Sorenson fall in love in the 1970s, blithely ignorant of all that awaits them. By 2016, they have four radically different daughters, each in a state of unrest. Wendy, widowed young, soothes herself with booze and younger men; Violet, a litigator turned stay-at-home-mom, battles anxiety and self-doubt; Liza, a neurotic and newly tenured professor, finds herself pregnant with a baby she's not sure she wants by a man she's not...
Gilded Age
A debut author transforms Edith Wharton's "The House of Mirth" into a powerful modern story of one woman's struggle with independence, reputation, and love as she navigates difficult social terrain.
Kick the Latch
About one woman’s fine, hard life at the racetrack, Kick the Latch–with its ruthless concision and artful mysteries–is lightning in a bottle Kathryn Scanlan’s Kick the Latch vividly captures the arc of one woman’s life at the racetrack—the flat land and ramshackle backstretch; the bad feelings and friction; the winner’s circle and the racetrack bar; the fancy suits and fancy boots; and the “particular language” of “grooms, jockeys, trainers, racing secretaries, stewards, pony people, hotwalkers, everybody”—with economy and integrity. Based on transcribed interviews with Sonia, a horse trainer, the novel investigates form and authenticity in a feat of synthesis reminiscent of Charles Reznikoff’s Testimony. As Scanlan puts it, “I wanted to preserve—amplify, exaggerate—Sonia’s idiosyncratic speech, her bluntness, her flair as a storyteller. I arrived at what you could call a composite portrait of a self.” Whittled down with a fiercely singular artistry, Kick the Latch bangs out of the starting gate and carries the reader on a careening joyride around the inside track.
Flying Magazine
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