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To Paint Her Life
A biography of Jewish artist Charlotte Salomon, who was born in Germany in 1917, and exiled to France in 1939 where she spent the next two years creating a lifetime's work--765 watercolors overlaid by written texts and tunes that captured the dramatic events of her life--finally to be transported to Auschwitz where she was a victim of the genocide in 1943. Includes 64 bandw photographs throughout and an 8-page color insert. Annotation copyright by Book News, Inc., Portland, OR
Out of Joint
She begins, in the morning, by casing her joints: Can her ankles take the stairs? Will her fingers open a jar? Peel an orange? But it was not always this way for Mary Felstiner, who went to bed one night an active professional and healthy young mother, and woke the next morning literally out of joint. With wrists and elbows no longer working right, she?d discovered one of the first signs of rheumatoid arthritis, the most virulent form of a common disease. Out of Joint is her account of living through arthritis, a distinction she shares with seventy million Americans. ø While arthritis pain affects one out of three Americans, this book is the first to tell the personal story of the nation?s ...
Never Again
A work forty years in the making—Sir Martin Gilbert’s illustrated survey of the pre- and post-war history of the Jewish people in Europe. Masterfully covering such topics as pre-war Jewish life, the Warsaw Ghetto revolt, and the reflections of Holocaust survivors, Gilbert interweaves firsthand accounts with unforgettable photographs and documents, which come together to form a three-dimensional portrait of the lives of the Jewish people during one of Europe’s darkest times. “This volume introduces the crime to a new generation, so that it knows of the atrocities and the seemingly futile acts of defiance taken, in the words of Judah Tenenbaum, ‘for three lines in the history books.’” —Booklist
Judaism and the Visual Image
The widespread assumption that Jewish religious tradition is mediated through words, not pictures, has left Jewish art with no significant role to play in Jewish theology and ethics. Judaism and the Visual Image argues for a Jewish theology of image that, among other things, helps us re-read the creation story in Genesis 1 and to question why images of Jewish women as religious subjects appear to be doubly suppressed by the Second Commandment, when images of observant male Jews have become legitimate, even iconic, representations of Jewish holiness. Raphael further suggests that 'devout beholding' of images of the Holocaust is a corrective to post-Holocaust theologies of divine absence from suffering that are infused by a sub-theological aesthetic of the sublime. Raphael concludes by proposing that the relationship between God and Israel composes itself into a unitary dance or moving image by which each generation participates in a processive revelation that is itself the ultimate work of Jewish art.
Holocaust Mothers and Daughters
In this brave and original work, Federica Clementi focuses on the mother-daughter bond as depicted in six works by women who experienced the Holocaust, sometimes with their mothers, sometimes not. The daughtersÕ memoirs, which record the Òall-too-humanÓ qualities of those who were persecuted and murdered by the Nazis, show that the Holocaust cannot be used to neatly segregate lives into the categories of before and after. ClementiÕs discussions of differences in social status, along with the persistence of antisemitism and patriarchal structures, support this point strongly, demonstrating the tenacity of traumaÑindividual, familial, and collectiveÑamong Jews in twentieth-century Europe.
Revealing Lives
Arnim, Bettina von ; Hugo, Adèle ; Wolf, Christa ; Mill, John Stuart ; Thackeray Ritchie, Anne ; Shortridge Foltz, Clara.
Chile Since Independence
Chile Since Independence brings together four chapters from Volumes III, V and VIII of The Cambridge History of Latin America to provide in a single volume an economic, social, and political history of Chile since independence. Each chapter is accompanied by a bibliographical essay.
Fires of Hatred
Of all the horrors of the last century—perhaps the bloodiest century of the past millennium—ethnic cleansing ranks among the worst. The term burst forth in public discourse in the spring of 1992 as a way to describe Serbian attacks on the Muslims of Bosnia-Herzegovina, but as this landmark book attests, ethnic cleansing is neither new nor likely to cease in our time. Norman Naimark, distinguished historian of Europe and Russia, provides an insightful history of ethnic cleansing and its relationship to genocide and population transfer. Focusing on five specific cases, he exposes the myths about ethnic cleansing, in particular the commonly held belief that the practice stems from ancient h...
Disaster Drawn
In hard-hitting accounts of Auschwitz, Bosnia, Palestine, and Hiroshima’s Ground Zero, comics display a stunning capacity to bear witness to trauma. Investigating how hand-drawn comics has come of age as a serious medium for engaging history, Disaster Drawn explores the ways graphic narratives by diverse artists, including Jacques Callot, Francisco Goya, Keiji Nakazawa, Art Spiegelman, and Joe Sacco, document the disasters of war. Hillary L. Chute traces how comics inherited graphic print traditions and innovations from the seventeenth century and later, pointing out that at every turn new forms of visual-verbal representation have arisen in response to the turmoil of war. Modern nonfictio...
