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In recent years, artists, architects, activists and curators, as well as corporations and local governments have addressed the urban space. They challenge its use and destination, and dispute current notions of space, legality, trade and artistry. Emerging art practices challenge old ideas about where art belongs, what forms it can take and what political discourses it fosters. Selected from papers presented at the 2013 Artscapes conference in Canterbury, this collection of new essays explores the dynamic relationship between art and the city. Contributors discuss the everyday artistic use of public space around the world, from sculpture to graffiti to street photography.
In Law and the Visual, leading legal theorists, art historians, and critics come together to present new work examining the intersection between legal and visual discourses. Proceeding chronologically, the volume offers leading analyses of the juncture between legal and visual culture as witnessed from the fifteenth to the twenty-first centuries. Editor Desmond Manderson provides a contextual introduction that draws out and articulates three central themes: visual representations of the law, visual technologies in the law, and aesthetic critiques of law. A ground breaking contribution to an increasingly vibrant field of inquiry, Law and the Visual will inform the debate on the relationship between legal and visual culture for years to come.
Popular and Visual Culture: Design, Circulation and Consumption is a transnational project that fosters a dialogue with multiple origins, both in geographical and academic terms. From the onset, this book questions the concepts of visual and popular culture, terms which are currently applied both to describe scientific fields, as operative concepts in theoretical discourse, and to characterize specific cultural contexts. The book’s analysis and categorization of visual and popular culture pursues discourses and practices which mark different historical eras and shape social orders. Because popular iconic and written productions are the outcome of a network of political, economic, ideologic...
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Réalités pseudonymes explore la question de la réalité à travers le prisme du nom propre et de ses mécanismes référentiels dans la littérature et les arts au tournant du 21ème siècle. Julie Gaillard convoque les œuvres de penseurs, auteurs et artistes qui ont en commun de remettre en question l'évidence référentielle du nom propre pour interroger la fabrique du réel et montrer comment il peut être transformé, suspendu ou encore détourné : Jean-François Lyotard, Samuel Beckett, Édouard Levé, ainsi que les artistes Renaud Cojo et Invader. Situé au carrefour de plusieurs disciplines, l'ouvrage interroge la trame de la réalité à l’heure où les sociétés glissent de...
Жизнь на грани финиша, где каждый шаг может стать последним. Идти, спотыкаясь, в надежде, что судьба подарит тебе немного счастья, не зная при этом, что за твою душу давно ведут бой "тьма" и "свет"... Остановиться бы, но как? Обратный путь открыт только проводнику, чьи глаза повидали немало несчастья и боли. Нарушит ли он закон ради дружбы или любви? Верит ли он сам в неё? Сквозь пространство и время и все "темною тропой", чтобы жить... Смерть ради жизни, а жизнь ради любви, но выбор между "светом" и "тьмой" лежит на кончике пера...
Idealism is a family of metaphysical views each of which gives priority to the mental. The best-known forms of idealism in Western philosophy are Berkeleyan idealism, which gives ontological priority to the mental (minds and ideas) over the physical (bodies), and Kantian idealism, which gives a kind of explanatory priority to the mental (the structure of the understanding) over the physical (the structure of the empirical world). Although idealism was once a dominant view in Western philosophy, it has suffered almost total neglect over the last several decades. This book rectifies this situation by bringing together seventeen essays by leading philosophers on the topic of metaphysical idealism. The various essays explain, attack, or defend a variety of idealistic theories, including not only Berkeleian and Kantian idealisms but also those developed in traditions less familiar to analytic philosophers, including Buddhism and Hassidic Judaism. Although a number of the articles draw on historical sources, all will be of interest to philosophers working in contemporary metaphysics. This volume aims to spark a revival of serious philosophical interest in metaphysical idealism.
The life of pioneering Jamaican nurse Mary Seacole gets its dramatic due in a sweeping and stunning biography. Mary Seacole spent much of her life on the front lines of the Crimean War, ministering to the wounded, caring for soldiers, and making her mark on the world of medicine. This fascinating biography honors Mary Seacole’s life, from her childhood in Kingston, Jamaica, and her encounters with racist Americans to her treatment of cholera patients in Panama and her bitter run-in with Florence Nightingale, who declined to work with her in Crimea because she wasn’t white. But Mary Seacole knew that the sick and wounded needed her compassion and care, and despite all obstacles, she answered the call to help them. Author Susan Goldman Rubin gives voice to this fearless nurse and healer through captivating details drawn from Mary Seacole’s own writings, while debut illustrator Richie Pope vividly captures her service at the bedside and on the battlefield. Inspiring and engaging, this biography introduces a compelling heroine who rose above barriers to earn a place in history.