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History and genealogies
History and genealogies of the families of Miller, Woods, Harris, Wallace, Maupin, Oldham, Kavanaugh, and Brown with interspersions of notes of the families of Dabney, Reid, Martin, Broaddus, Gentry, Jarman, Jameson, Ballard, Mullins, Michie, Moberley, Covington, Browning, Duncan, Yancey and Others.
Servant Leadership Models for Your Parish
Servant Leadership Models for Your Parish explores the practice of servant leadership in a church context. It presents seven behaviors practiced by leaders and members in high-performing parishes and provides real-life examples of these practices. The unique contribution of this work to the national discussion about parish life and leadership is its description of servant leadership and its explanation of how it works in a parish. This work suggests that parish life can be viewed in light of business principles such as the organizational behaviors of leaders and members in a Christian parish, and religious teaching, particularly the message of Jesus, who taught leaders to be servants and members to be disciples. Intended for pastors and parish leaders, pastoral associates and deacons, parish staff and lay members of parishes who are interested in leadership, it is sure to be indispensable reading for anyone who is interested in changing or improving the leadership, the activities, and the culture of their parish. +
Our Irish Immigrants
James McGuire (1803-1872), the son of Patrick McGuire, of the Parish of Castlerahan, County Cavan, Ulster, Ireland and his wife, Bridget Colgan/Culligan (1815-1889) of the same parish, came to America in 1850 via New York City, N.Y. By March of 1850 they were in Highland Twp., Iowa Co., Wisconsin. Couple married 1837 in the Parish of Castlerahan. Descendants and family members live in Wisconsin, Iowa, Minnesota, North Dakota, South Dakota and elsewhere.
A Companion to the New Harp of Columbia
"The shape-note tradition first flourished in the small towns and rural areas of early America. Church-sponsored "singing schools" taught a form of musical notation in which the notes were assigned different shapes to indicate variations in pitch; this method worked well with congregants who had little knowledge of standard musical notation. Today many enthusiasts carry on the shape-note tradition, and The New Harp of Columbia (recently published in a "restored edition" by the University of Tennessee Press) is one of five shape-note singing-manuals still in use."--Jacket.
Everybody's Magazine
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Ensian
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