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The Red Scream
Texas-based crime reporter Molly Cates has just published her first book, describing the blood-curdling exploits of serial killer Louie Bronk. Now on death row, Louie's sentence is about to be carried out. Molly will be there as a witness, and she wants to write about it--the final coda to Louie's story. But suddenly, she's being strongly discouraged by her boss at the Lone Star Monthly and by Charlie McFarland, the millionaire real estate developer whose first wife, Tiny, was Bronk's most famous victim--and the only one whose murder is a capital offense. Then Molly starts to receive dark hints that Louie may not have killed Tiny after all. There is another murder following Louis's M.O.--one...
Zero at the Bone
Katherine Driscoll is just three weeks away from disaster: foreclosure on her home and business, even the sale of her beloved dog. She has no hope of raising the $91,000 she so desperately needs--until the father she hasn't seen for thirty years writes to her, offering her enough money to solve her problems...if she will do one thing in return. But Katherine may never learn what that is. When she arrives in Austin, she is hours too late: her father has died in a bizarre accident. As she sifts through the cryptic notes he left behind, she finds herself caught up in terrible family secrets--and a deadly illicit trade. The more she learns, the more determined she becomes to prove her father's death was no accident. In doing so, Katherine will make a bitter enemy--one desperate enough to kill...and perhaps, kill again.
All the Dead Lie Down
When crime reporter Molly Cates’s father died more than twenty-five years ago, the case was ruled a suicide, and Molly’s efforts to prove otherwise led to nothing but anguish and the breakup of her family. But now new information has come her way and she reopens the investigation–and a rush of old wounds–with a vengeance. Soon the personal becomes dangerously political as Molly’s search for the truth leads her from the stately halls of Texas government to the mean streets of Austin’s down-and-out–and ultimately to a moral dilemma she never could have anticipated.
Walking Rain
"Walking Rain" is one of the best debut novels of the year.--Mary Willis Walker, author of "Under the Beetle's Cellar" Eight years had passed since fate left its mark on her grandfather's ranch. Shedding her new name and identity, Amelia Rawlins came out of anonymity and back home--a place of childhood memories, a place where she could walk with her grandfather's spirit and carry on his work. But the horrors of the past also found a home there, and her return didn't escape the vengeful eyes of someone who thought Amelia had no right to be spared on that long-ago dreadful day.
Lone Star Sleuths
A collection of thirty short crime stories set in Texas by a variety of writers, including Kinky Friedman, Mary Willis Walker, and Carolyn Hart.
Let the Dead Lie
The second in a crime series set in 1950's South Africa when apartheid laws were first introduced, Detective Emmanuel Cooper now returns to face murder, passion, and corrupt South African politics. Emmanuel Cooper’s life has an “ex” through it: ex-soldier, ex-detective sergeant, and ex-white man. He now works undercover surveillance on the seedy Durban docks to make a living, documenting police corruption for his old boss. All of that changes when he discovers the body of a brutally murdered young errand boy, forcing Emmanuel out of the shadows. He decides that he has no choice but to elude the police in order to conduct his own unofficial investigation. But after two more identical mu...
Mister Death's Blue-Eyed Girls
Narrated from several different perspectives, tells the story of the 1956 murder of two teenaged girls in suburban Baltimore, Maryland.
The High Path
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A Twist at the End
A crime tale based on actual events from more than one hundred years ago follows a serial killer dubbed "The Servant Girl Annihilator" who roamed the streets of Austin, Texas.
Contemporary American Crime Fiction
This highly accessible, lively and informative study gives a clear and comprehensive overview of recent trends in American crime fiction. Building on a discussion of the immediate predecessors, Bertens and D'haen focus on the work of popular and award-winning authors of the last fifteen years. Particular attention is given to writers who have reworked established conventions and explored new directions, especially women and those from ethnic minorities.
