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Women and Religion in Old and New Worlds
This innovative collection brings together essays on women's religious experiences in both Europe and the Americas during the colonial era.
Well-being in Amsterdam's Golden Age
This captivating volume paints a broad portrait of daily life in seventeenth-century Amsterdam. Taking the reader into the heart of the Dutch Golden Age, Derek Phillips uses a wide variety of sources in order to provide a wealth of domestic detail: from how people washed their clothes and cooked their meals to how they lived, married, and raised their children. Well-Being in Amsterdam's Golden Age covers the terrain of merchants' offices, regents' drawing rooms, and servants' quarters through a range of multidisciplinary perspectives, revealing the processes linking equality and well-being in seventeenth-century Amsterdam and beyond.
Early Modern Dutch Prints of Africa
Using Pieter de Marees' Description and Historical Account of the Gold Kingdom of Guinea (1602) as her main source material, author Elizabeth Sutton brings to bear approaches from the disciplines of art history and book history to explore the context in which De Marees' account was created. Since variations of the images and text were repeated in other European travel collections and decorated maps, Sutton is able to trace how the framing of text and image shaped the formation of knowledge that continued to be repeated and distilled in later European depictions of Africans. She reads the engravings in De Marees' account as a demonstration of the intertwining domains of the Dutch pictorial tr...
The Burgher and the Whore
Amsterdam was, after London and Paris, the third largest city in early modern Europe, and was renowned throughout Europe for its widespread and visible prostitution. Delving deep into a wide range of sources, but making particular use of the transcripts of thousands of trials, The Burgher and the Whore reconstructs Amsterdam's whoredom in detail. The colourful and fascinating descriptions of the prostitutes, their bawds, their clients, and the police shed new light on thecultural, social, and economic conditions of the lives of poor women in a seafaring society.Lotte van de Pol explores how the vice trade was embedded in Amsterdam's society, economy, and judicial system, and how legislation ...
Women and Gender in the Early Modern Low Countries, 1500 - 1750
Women and Gender in the Early Modern Low Countries, 1500-1750 brings together research on women and gender across the Low Countries, a culturally contiguous region that was split by the Eighty Years' War into the Protestant Dutch Republic in the North and the Spanish-controlled, Catholic Hapsburg Netherlands in the South. The authors of this interdisciplinary volume highlight women’s experiences of social class, as family members, before the law, and as authors, artists, and patrons, as well as the workings of gender in art and literature. In studies ranging from microhistories to surveys, the book reveals the Low Countries as a remarkable historical laboratory for its topic and points to the opportunities the region holds for future scholarly investigations. Contributors: Martine van Elk, Martha Howell, Martha Moffitt Peacock, Sarah Joan Moran, Amanda Pipkin, Katlijne Van der Stighelen, Margit Thøfner, and Diane Wolfthal.
Global Gifts
Global Gifts considers the role that the circulation of material culture played in the establishment of early modern global diplomacy.
The Globalization of Netherlandish Art
Is there a special place for the Low Countries in art history’s current debates on global mobility? How should we conceive of the globalization of Netherlandish art in the early modern period, and in what ways does the distinctively worldly orientation of the Netherlands in this period contribute to early modern visual culture? This volume examines how artworks produced in the wake of European expansion—art produced in the Netherlands in reaction to the world outside of Europe and art made outside of Europe in reaction to encounters with the Netherlands—help us better understand the cultural impacts of globalization.
Jesuit Art
In Jesuit Art, Mia Mochizuki considers the artistic production of the pre-suppression Society of Jesus (1540–1773) from a global perspective. Geographic and medial expansion of the standard corpus changes not only the objects under analysis, it also affects the kinds of queries that arise. Mochizuki draws upon masterpieces and material culture from around the world to assess the signature structural innovations pioneered by Jesuits in the history of the image. When the question of a ‘Jesuit style’ is rehabilitated as an inquiry into sources for a spectrum of works, the Society’s investment in the functional potential of illustrated books reveals the traits that would come to define the modern image as internally networked, technologically defined, and innately subjective.
Power and the City in the Netherlandic World
In the absence of a powerful state, how was coercive power established within, over, and by the cities of the Low Countries? Eleven chapters covering the medieval and early modern periods explore this theme from various angles. Some chapters detail symbolic contests or armed struggle, while others focus on industrial control by urban magistrates or their attempts to regulate servants and maintain religious orthodoxy. The essays suggest that the Netherlandic world, in which cities have always loomed large, may have followed a distinctive path of political development that characterized the urban belt of Europe more generally. As such, this volume aims to create new understandings of the place of the Low Countries in European history.
