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Hernández Pijuan
The career of Joan Hernandez Pijuan is one of the major milestones in modern Spanish painting. His loyalty to certain themes, such as space, memory and landscape, and a stringently critical attitude to his achievements, have endowed Hernandez Pijuan's oeuvre with a rare solidity and durability.
João Louro
The book produced to accompany the presence of João Louro (*1963 in Lisbon) as the official representative of Portugal at the 56th Venice Biennale with the exhibition I Will Be Your Mirror : Poems and Problems is presented as the state of the art of Louro's oeuvre, which, since the nineties, has developed a well-informed questioning of the meaning of the image as an object or sign and of language as a symbolic representation. Louro is an intensely conceptual artist, one whose intensity is demonstrated in his presentation and interpretation of the world. He is interested in generating new semantic aspects and raising doubts about norms accepted by our visual culture. The texts by María de Corral, Paulo Herkenhoff, Delfim Sardo, and Nuno Crespo, authors who have a deep knowledge of João Louro's work, are accompanied by images that show us the overall body of João Louro's production, including some works produced specifically for this exhibition. Exhibition: Portuguese Pavilion at the Venice Biennial, Venice, Italy (2015).
Alone Before God
Focusing on cemetery burials in late-eighteenth-century Mexico, Alone Before God provides a window onto the contested origins of modernity in Mexico. By investigating the religious and political debates surrounding the initiative to transfer the burials of prominent citizens from urban to suburban cemeteries, Pamela Voekel challenges the characterization of Catholicism in Mexico as an intractable and monolithic institution that had to be forcibly dragged into the modern world. Drawing on the archival research of wills, public documents, and other texts from late-colonial and early-republican Mexico, Voekel describes the marked scaling-down of the pomp and display that had characterized baroq...
Fast Forward
In this handsome book, the Dallas Museum of Art celebrates three remarkable private collections of contemporary art that were donated in 2005, presenting them in context with masterworks already owned by the museum. Featuring over two hundred works, many previously unpublished, by such major artists as Matthew Barney, Joseph Beuys, Louise Bourgeois, Vija Celmins, Philip Guston, Jasper Johns, Donald Judd, Ellsworth Kelly, Franz Kline, Willem de Kooning, Jackson Pollock, Sol LeWitt, Bruce Naumann, Sigmar Polke, Gerhard Richter, Mark Rothko, Robert Ryman, Richard Tuttle, and many others, this volume provides a stunning visual history of the critical art movements that have shaped--and continue to shape--contemporary art since the 1940s. Essays by distinguished scholars discuss the works, which range from sculpture and painting to photography, installation art, and video and electronic media, and address the importance, history, and evolution of Dallas's collection. Distributed for the Dallas Museum of Art Exhibition Schedule: (two shows)Dallas Museum of Art (November 19, 2006 - April 8, 2007; February 11 - May 20, 2007)
Living Matter
This innovative volume is the first to address the conservation of contemporary art incorporating biological materials such as plants, foods, bodily fluids, or genetically engineered organisms. Eggshells, flowers, onion peels, sponge cake, dried bread, breast milk, bacteria, living organisms—these are just a few of the biological materials that contemporary artists are using to make art. But how can works made from such perishable ingredients be preserved? And what logistical, ethical, and conceptual dilemmas might be posed by doing so? Because they are prone to rapid decay, even complete disappearance, biological materials used in art pose a range of unique conservation challenges. This g...
Between
Antoni Muntadas (*Barcelona, 1942) is one of the most important contemporary Spanish artists. His work addresses social, political and communications issues, the relationship between public and private space within social framework, and investigates channels of information and the ways they are used to promulgate ideas and control and censor information. Working in different media, such as photography, video, publications, Internet and multi-media installations, Muntadas often speaks about the condition of being "in between" as a point of departure for his work. This "between" can be characterized as a place of ambiguity outside specific sites or destinations. This two-volume publication is ...
Early Modern European Diplomacy
New Diplomatic History has turned into one of the most dynamic and innovative areas of research – especially with regard to early modern history. It has shown that diplomacy was not as homogenous as previously thought. On the contrary, it was shaped by a multitude of actors, practices and places. The handbook aims to characterise these different manifestations of diplomacy and to contextualise them within ongoing scientific debates. It brings together scholars from different disciplines and historiographical traditions. The handbook deliberately focuses on European diplomacy – although non-European areas are taken into account for future research – in order to limit the framework and ensure precise definitions of diplomacy and its manifestations. This must be the prerequisite for potential future global historical perspectives including both the non-European and the European world.
